null ((closest to viewer:

    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), <<BREAK>> [(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), <<BREAK>> [(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), <<BREAK>> [(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), <<BREAK>> [(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), <<BREAK>> [(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]

      RealVisXL V5.0

    • V5.0 Lightning (BakedVAE) - realvisxlV50_v50LightningBakedvae.safetensors
    • V5.0 (BakedVAE) - realvisxlV50_v50Bakedvae.safetensors
    • V4.0 Lightning (BakedVAE) - realvisxlV50_v40LightningBakedvae.safetensors
    • V4.0 (BakedVAE) - realvisxlV50_v40Bakedvae.safetensors
    • V3.0 Turbo (BakedVAE) - realvisxlV50_v30TurboBakedvae.safetensors
    • V3.0 (BakedVAE) - realvisxlV50_v30Bakedvae.safetensors
    • V3.0-inpaint (BakedVAE) - realvisxlV50_v30InpaintBakedvae.safetensors
    • V2.02 Turbo (BakedVAE) - realvisxlV50_v202TurboBakedvae.safetensors
    • V2.0 (BakedVAE) - realvisxlV50_v20Bakedvae.safetensors
    • V1.02 Turbo (BakedVAE) - realvisxlV50_v102TurboBakedvae.safetensors
    • V1.0 (BakedVAE) - realvisxlV50_v10Bakedvae.safetensors

      Realistic Vision V6.0 B1

    • V5.1 Hyper (VAE) - realisticVisionV60B1_v51HyperVAE.safetensors
    • V5.1 Hyper-Inpaint (VAE) - realisticVisionV60B1_v51HyperInpaintVAE.safetensors
    • V5.1 (VAE) - realisticVisionV60B1_v51VAE.ckpt
    • V5.1-inpainting (VAE) - realisticVisionV60B1_v51VAE-inpainting.safetensors
    • V6.0 B1 (VAE) - realisticVisionV60B1_v60B1VAE.safetensors
    • V6.0 B1 inpainting (VAE) - realisticVisionV60B1_v60B1InpaintingVAE.safetensors
    • V5.0 (VAE) - realisticVisionV60B1_v50VAE.ckpt
    • V5.0-inpainting (VAE) - realisticVisionV60B1_v50VAE-inpainting.ckpt
    • V4.0 (VAE) - realisticVisionV60B1_v40VAE.safetensors
    • V4.0-inpainting (VAE) - realisticVisionV60B1_v40VAE-inpainting.safetensors
    • V3.0 (VAE) - realisticVisionV60B1_v30VAE.safetensors
    • V3.0-inpainting (VAE) - realisticVisionV60B1_v30VAE-inpainting.ckpt
    • V3.0 (noVAE) - realisticVisionV60B1_v30Novae.safetensors
    • V3.0-inpainting (noVAE) - realisticVisionV60B1_v30Novae-inpainting.ckpt
    • V2.0 (noVAE) - realisticVisionV60B1_v20Novae.ckpt
    • V2.0-inpainting (noVAE) - realisticVisionV60B1_v20Novae-inpainting.ckpt
    • V1.3 - realisticVisionV60B1_v13.safetensors
    • V1.3-inpainting - realisticVisionV60B1_v13-inpainting.ckpt
    • V1.2 - realisticVisionV60B1_v12.ckpt