null Hoyte van Hoytema

female soldier holding a ak47 and wearing BlackSwanMakeup <lora:BlackSwanMakeup-light:1>, in the middle east desert, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

Bioluminescent organisms illuminate the dark environment, casting an ethereal glow on a figure, captured in a live-action, cinematic film still, reminiscent of the works of Roger Deakins, Hoyte van Hoytema, and Emmanuel Lubezki, with a blend of naturalistic and stylized lighting, shot on 35mm film with a V-Raptor XL camera, exhibiting a warm, filmic texture, with noticeable grain, subtle vignette, and meticulous color grading, post-processed to enhance the atmospheric, epic, and dramatic qualities of the scene, evoking a sense of wonder and awe, as if plucked from a sci-fi cinematic masterpiece.

cinematic photo of children playing in a daycare center with a tripod standing in the background , daytime, dramatic sky
<lora:tripod:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

closeup of a firefighter man wearing (BlackSwanMakeup:1), in new york on 911 <lora:BlackSwanMakeup-light:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

cinematic tripod walking through grand canyon daytime, seen from the side
<lora:tripod:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

a chatty smiling dominatrix wearing BlackSwanMakeup sitting at a cafe in paris <lora:BlackSwanMakeup-light:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

A card-wielding knight stands proudly, bathed in the warm glow of cinematic lighting, with a 2/3 face angle, side-lit to accentuate the intricate details of their armor. The live-action image boasts a mid-shot composition, with a vibrant, colorful background that adds depth to the 35mm film-inspired aesthetic. Shot on the v-raptor XL, this hyperrealistic scene features a stunning, high-contrast color palette, amplified by HDR. A blend of film grain and a vignette adds a touch of nostalgia, while the color grading and post-processing elevates the image to a beautifully shot, masterpiece-level quality. The cinematic atmosphere is further enhanced by dramatic shadows, reminiscent of the style of Emmanuel Lubezki, Roger Deakins, and Hoyte van Hoytema.

a chatty smiling dominatrix wearing BlackSwanMakeup sitting at a cafe in paris <lora:BlackSwanMakeup-light:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

A silver-haired mature woman, clad in a light gray shirt with a black armband on her upper arm, mournfully weeps, her hands clasped over her face. Behind her, a tattered American flag hangs upside down, its once-vibrant colors faded and worn. In the foreground, the faint text "1-20-24" is etched, a poignant reminder of a lost era. The atmosphere is heavy with grief and despair, evoking a sense of tragic loss. Inspired by the cinematic mastery of Roger Deakins, Emmanuel Lubezki, and Hoyte van Hoytema, the image is rendered in a gritty, film-noir style, with deep shadows and a muted color palette. Shot on a virtual 35mm film stock, with subtle film grain and a pronounced vignette, the scene is bathed in a dramatic, cinematic lighting, as if plucked straight from a masterpiece of epic storytelling.

sexy woman wearing cheetah inspired BlackSwanMakeup <lora:BlackSwanMakeup-light:1>,, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

cinematic shot inside a school hallway stunning confident tomboy woman wearing BlackSwanMakeup, doing makeup in front of a mirror inside a public restroom, looking over her shoulder, <lora:BlackSwanMakeup-light:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

cinematic shot inside a school hallway stunning confident tomboy woman wearing BlackSwanMakeup, doing makeup in front of a mirror inside a public restroom, looking over her shoulder, <lora:BlackSwanMakeup-light:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

cinematic shot inside a school hallway stunning confident tomboy woman wearing BlackSwanMakeup, doing makeup in front of a mirror inside a public restroom, looking over her shoulder, <lora:BlackSwanMakeup-light:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

closeup of a firefighter man wearing (BlackSwanMakeup:1), in new york on 911 <lora:BlackSwanMakeup:1>, by Christoper Nolan, produced by Lynda Obst, cinematography by Wally Pfister and Hoyte van Hoytema, Cinematic movie still, movie mood, compelling composition, storytelling elements, conveys emotion, mood, and narrative depth, creating visually striking images that feel like still frames from a film, film grain, lens bloom, rule of thirds composed, Cinematic Color Grading,Controlled Lighting,Bokeh,High Resolution, high clarity, Implied Motion

RealVisXL V5.0

V5.0 Lightning (BakedVAE) - realvisxlV50_v50LightningBakedvae.safetensors
V5.0 (BakedVAE) - realvisxlV50_v50Bakedvae.safetensors
V4.0 Lightning (BakedVAE) - realvisxlV50_v40LightningBakedvae.safetensors
V4.0 (BakedVAE) - realvisxlV50_v40Bakedvae.safetensors
V3.0 Turbo (BakedVAE) - realvisxlV50_v30TurboBakedvae.safetensors
V3.0 (BakedVAE) - realvisxlV50_v30Bakedvae.safetensors
V3.0-inpaint (BakedVAE) - realvisxlV50_v30InpaintBakedvae.safetensors
V2.02 Turbo (BakedVAE) - realvisxlV50_v202TurboBakedvae.safetensors
V2.0 (BakedVAE) - realvisxlV50_v20Bakedvae.safetensors
V1.02 Turbo (BakedVAE) - realvisxlV50_v102TurboBakedvae.safetensors
V1.0 (BakedVAE) - realvisxlV50_v10Bakedvae.safetensors

Realistic Vision V6.0 B1

V5.1 Hyper (VAE) - realisticVisionV60B1_v51HyperVAE.safetensors
V5.1 Hyper-Inpaint (VAE) - realisticVisionV60B1_v51HyperInpaintVAE.safetensors
V5.1 (VAE) - realisticVisionV60B1_v51VAE.ckpt
V5.1-inpainting (VAE) - realisticVisionV60B1_v51VAE-inpainting.safetensors
V6.0 B1 (VAE) - realisticVisionV60B1_v60B1VAE.safetensors
V6.0 B1 inpainting (VAE) - realisticVisionV60B1_v60B1InpaintingVAE.safetensors
V5.0 (VAE) - realisticVisionV60B1_v50VAE.ckpt
V5.0-inpainting (VAE) - realisticVisionV60B1_v50VAE-inpainting.ckpt
V4.0 (VAE) - realisticVisionV60B1_v40VAE.safetensors
V4.0-inpainting (VAE) - realisticVisionV60B1_v40VAE-inpainting.safetensors
V3.0 (VAE) - realisticVisionV60B1_v30VAE.safetensors
V3.0-inpainting (VAE) - realisticVisionV60B1_v30VAE-inpainting.ckpt
V3.0 (noVAE) - realisticVisionV60B1_v30Novae.safetensors
V3.0-inpainting (noVAE) - realisticVisionV60B1_v30Novae-inpainting.ckpt
V2.0 (noVAE) - realisticVisionV60B1_v20Novae.ckpt
V2.0-inpainting (noVAE) - realisticVisionV60B1_v20Novae-inpainting.ckpt
V1.3 - realisticVisionV60B1_v13.safetensors
V1.3-inpainting - realisticVisionV60B1_v13-inpainting.ckpt
V1.2 - realisticVisionV60B1_v12.ckpt