null ship behind

    g02f, portrait, full body, wide-shot, 35mm lenses,The Guyver, g02f, chocovenus, Alien ship coming out of a mountain in the background, focus female, Dynamic poses, ray tracing, octane render, 8k render, highly detailed, photorealistic, portrait, sharp focus, Full HD sharp, visible feet, g02f, The Mega Smasher is located in the chest area of the Guyver armor, behind a pair of high-power energy projectors covered by breastplate-like armor. When activated, the breastplates open to reveal two high-intensity energy cannons. When the host decides to use the Mega Smasher, the chest plates on her breasts covering the cannons open up. female focus, These plates are designed to protect the delicate and powerful mechanisms of the Mega Smasher when not in use,
    photo,face close-up of anak1n man taking a selfie with a phone,j3di outfit,j3di robe,looking at camera, a star wars battle is taking behind,(stormtrooper in background,emperor palpatine), (star wars ships are flying in the sky:1.3),full body shot,depth of field,(smooth skin),(sweaty skin:1.3),gloomy,volumetric lighting,at night,dimly lit,(surreal dramatic lighting shadow)
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    <lora:Beatrice_Egli_XL_Final-000007:0.85> A cinematic still frame of Beatrice Egli standing on the deck of a grand pirate ship, sailing through the high seas. She is dressed as a daring pirate captain, complete with a tricorn hat, a flowing coat, and a cutlass at her side. The wind blows through her hair as she gazes determinedly toward the horizon. Her loyal pirate crew is bustling behind her, hoisting sails and preparing cannons. The ocean waves crash dramatically against the ship, and a distant island can be seen under a bright, adventurous sky. The scene exudes the excitement and thrill of a swashbuckling pirate adventure.
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    photo,face close-up of anak1n man taking a selfie with a phone,j3di outfit,j3di robe,looking at camera, a star wars battle is taking behind,(stormtrooper in background,emperor palpatine), (star wars ships are flying in the sky:1.3),full body shot,depth of field,(smooth skin),(sweaty skin:1.3),gloomy,volumetric lighting,at night,dimly lit,(surreal dramatic lighting shadow)
    photo,face close-up of anak1n man taking a selfie with a phone,j3di outfit,j3di robe,looking at camera, a star wars battle is taking behind,(stormtrooper in background,emperor palpatine), (star wars ships are flying in the sky:1.3),full body shot,depth of field,(smooth skin),(sweaty skin:1.3),gloomy,volumetric lighting,at night,dimly lit,(surreal dramatic lighting shadow)
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    very realistic photograph of an ancestral castle on the banks of the river with a large ancient sailing ship behind
    SopTurN3v005, Sophie Turner, (small breasts:1.2) , (sharp focus:1.2), portrait, ((pinup)), pin up girl, 1950s, ((1950s fashion)), (candid voyeuristic portrait), (beautiful face:1.1), detailed eyes, ((medium shot)), (), from behind, inside a cruise ship, sunset, evening, clear weather,(cleavage, skindentation:1.1) <lyco:hamichichiB:1.1> (hard shadows, dark theme, dim lighting, deep contrast:1.35), depth of field, bokeh, 4K, HDR. by (James C. Christensen:1.2|Jeremy Lipking:1.1). <lora:LowRA:0.3> <lora:more_details:0.45>
    score_9, score_8_up, score_7_up, Fantasy A bold depiction of the Pirate Queen, ruling over her lawless crew. She lounges on a throne built from shipwrecked wood, gold doubloons, and treasures from the seas. Her sun-kissed skin contrasts beautifully with her long, dark hair tied in loose, messy waves. She wears a daring outfit—a cropped, lace-up corset with leather breeches and tall, thigh-high boots, accentuating her curvy figure. A wide pirate hat adorned with a single crimson feather rests on her head, and she holds a gleaming cutlass lazily in one hand. Her piercing ocean-blue eyes gleam with confidence and mischief. Behind her, the deck of her ship sways gently, with the ocean stretching endlessly into the horizon under a golden sunset. ((cinematic photo, volumetric lighting, cinematic lighting, aesthetic design, high angle, dramatic framing, cinematic framing, unique artistic composition, hight reflection)), (maximum ultra-high definition image quality and rendering:3), maximum image detail, maximum realistic rendering, (beautiful face),
    two human representatives from different planets meet at a treaty table on a space ship to discuss with their aides standing behind them. the representatives are asian and latino respectively, with 2 aides each behind them. 6 people are in the room.
    a 1999 sitcom scene features women in a ship, two muscular ponytail brunette female wearing a emt uniform, cargo pants and heavy giant Timberland boots , hidden mouth with hand, they are restrainwith hands behind back standing wrapped together
    The Guyver, g02f, chocovenus, Alien ship coming out of a mountain in the background, focus female, Dynamic poses, ray tracing, octane render, 8k render, highly detailed, photorealistic, portrait, sharp focus, Full HD sharp, visible feet, g02f, The Mega Smasher is located in the chest area of the Guyver armor, behind a pair of high-power energy projectors covered by breastplate-like armor. When activated, the breastplates open to reveal two high-intensity energy cannons. When the host decides to use the Mega Smasher, the chest plates on her breasts covering the cannons open up. female focus, These plates are designed to protect the delicate and powerful mechanisms of the Mega Smasher when not in use,
    two human representatives from different planets meet at a treaty table on a space ship to discuss with their aides standing behind them. the representatives look asian and latino respectively, with 2 aides behind them each.
    A beauty woman with long hair, wearing a futuristic naval uniform, with her hands clasped behind her back, stands on the bridge of a space ship. She is facing towards a control console and looking out a large view port behind it. Through that view port to the lower half is taken up by a verdant planet, while in the upper middle is a red star in the distance. (8k uhd:1,4) <lora:add-detail-xl:1> <lora:Dynamic Poses:1>
    two human representatives from different planets meet at a treaty table on a space ship to discuss with their aides standing behind them. the representatives look asian and latino respectively, with 2 aides behind them each.
    photo,face close-up of anak1n man taking a selfie with a phone,j3di outfit,j3di robe,looking at camera, a star wars battle is taking behind,(stormtrooper in background,emperor palpatine), (star wars ships are flying in the sky:1.3),full body shot,depth of field,(smooth skin),(sweaty skin:1.3),gloomy,volumetric lighting,at night,dimly lit,(surreal dramatic lighting shadow)
    cinematic film still retro-futuristic analog film still from a 1970s science fiction movie, 1monster, (clockwork animal, cyborg with electronic arms:1.2), big eyes, monolithic underwater ship interior, large retro-futuristic portholes, blinkenlights, dynamic pose, from behind, serious expression, afternoon, clear sky, candid pose, grin, space opera chic, found footage,decorative,desaturated, sharp focus, wide angle lens, scenic, shallow depth of field, vignette, highly detailed, high budget Hollywood film, bokeh, cinemascope, moody, epic, gorgeous, film grain
    two human representatives from different planets meet at a treaty table on a space ship to discuss with their aides standing behind them. the representatives are asian and latino respectively, with 2 aides each behind them. 6 people are in the room.
    two human representatives from different planets meet at a treaty table on a space ship to discuss with their aides standing behind them. the representatives look asian and latino respectively, with 2 aides behind them each.
    photo,face close-up of anak1n man taking a selfie with a phone,j3di outfit,j3di robe,looking at camera, a star wars battle is taking behind,(stormtrooper in background,emperor palpatine), (star wars ships are flying in the sky:1.3),full body shot,depth of field,(smooth skin),(sweaty skin:1.3),gloomy,volumetric lighting,at night,dimly lit,(surreal dramatic lighting shadow)
    photo,face close-up of anak1n man taking a selfie with a phone,j3di outfit,j3di robe,looking at camera, a star wars battle is taking behind,(stormtrooper in background,emperor palpatine), (star wars ships are flying in the sky:1.3),full body shot,depth of field,(smooth skin),(sweaty skin:1.3),gloomy,volumetric lighting,at night,dimly lit,(surreal dramatic lighting shadow)
    two human representatives from different planets meet at a treaty table on a space ship to discuss with their aides standing behind them. the representatives are asian and latino respectively, with 2 aides each behind them. 6 people are in the room.
    Picture a scene where a teenage Robert Redford as Star-Lord stands at the helm of a sleek, 1960s-inspired spacecraft, the interior blending the organic with the futuristic—a nod to the era's fascination with space and technology. The design echoes the optimism and sleek aesthetics of the 1960s, with Redford's costume reflecting a similar vibe: a combination of classic space-age fashion and the rugged, adventurous look synonymous with Star-Lord. He's navigating through an asteroid field, a confident grin on his face, indicative of his love for thrill and adventure. The dashboard in front of him is a mix of analog dials and futuristic displays, showing the integration of 1960s tech sensibilities with the advanced technology of the Marvel Universe. Redford's Star-Lord has a vintage, yet timeless appeal, his charisma and leadership qualities shining through as he cracks a witty remark to his crew, showcasing the blend of humor and seriousness that defines the character. Behind him, a vinyl record player is integrated into the ship's console, playing classic 60s rock'n'roll, setting the mood for their cosmic journey. The scene captures the essence of exploration and the boundless optimism of the 1960s, with Redford embodying Star-Lord's spirit of adventure, his connection to Earth's culture, and his role as a bridge between the past and the vast, unexplored cosmos.. close-up shot, hyper detailed, extremely intricate, (RAW photo:1.9), HDR 1600, F/22 aperture, masterpiece, trending, ray tracing, best quality, ultra high quality, 8k resolution, centered, clear, depth of field
    a 1999 sitcom scene features women in a ship, a muscular ponytail brunette female wearing a red emt shirt, cargo pants and heavy Timberland boots , hidden mouth with hand, they are restrainwith hands behind back sitting on a chair, crosed legs
    A romantic image containing many secret valentine's day hidden symbols. a beautiful 19-year-old Tahitian woman stands facing the camera, she has mixed European and Polynesian ancestry. Her hair falls around her red summer frock in a creative hairstyle. Professional photography places, Behind her, the 18th century ship which blurs outside of the crisp field of view of the model's focal range in a professionally designed photographic composition. The woman is perfectly focused a painterly fusion of colors, melting into the horizon where ocean and sky become one. Ethereal, psychedelic hues wash through the air, blending photorealism with an illustrated dreamscape. The images creative elements include a fade swipe from left to right from real world colors to sepia in various shades of color highlighting specific elements in the image. The image is full of a range of professional creative touches that help paint the story of a polynesian girl who is left behind be her lover. The is proud young beautiful and graceful. Above her, the sky whispers secrets—delicate abstract forms swirl within the clouds, barely perceptible at first glance. A heart shape emerges subtly in the mist, vanishing as quickly as it appears. Tiny red hearts—light as petals—flutter in the breeze, playful yet surreal, caught between the tangible and the dreamlike. The scene is infused with an almost mischievous energy, hidden secret messages are infused into the realistic details of the image. The pier's wooden planks seem to form a barely visible inscription, a romantic message that only the most observant might catch. Even the sunlight, bending in unexpected ways, creates fleeting heart-shaped lens flares that vanish before the eye can fully register them. Ultra-high-resolution, DSLR-quality, hyper-detailed, cinematic composition, 16K clarity, IMAX film sharpness, soft-focus bokeh background, National Geographic portrait, Rembrandt lighting, depth-enhanced rendering

      RealVisXL V5.0

    • V5.0 Lightning (BakedVAE) - realvisxlV50_v50LightningBakedvae.safetensors
    • V5.0 (BakedVAE) - realvisxlV50_v50Bakedvae.safetensors
    • V4.0 Lightning (BakedVAE) - realvisxlV50_v40LightningBakedvae.safetensors
    • V4.0 (BakedVAE) - realvisxlV50_v40Bakedvae.safetensors
    • V3.0 Turbo (BakedVAE) - realvisxlV50_v30TurboBakedvae.safetensors
    • V3.0 (BakedVAE) - realvisxlV50_v30Bakedvae.safetensors
    • V3.0-inpaint (BakedVAE) - realvisxlV50_v30InpaintBakedvae.safetensors
    • V2.02 Turbo (BakedVAE) - realvisxlV50_v202TurboBakedvae.safetensors
    • V2.0 (BakedVAE) - realvisxlV50_v20Bakedvae.safetensors
    • V1.02 Turbo (BakedVAE) - realvisxlV50_v102TurboBakedvae.safetensors
    • V1.0 (BakedVAE) - realvisxlV50_v10Bakedvae.safetensors

      Realistic Vision V6.0 B1

    • V5.1 Hyper (VAE) - realisticVisionV60B1_v51HyperVAE.safetensors
    • V5.1 Hyper-Inpaint (VAE) - realisticVisionV60B1_v51HyperInpaintVAE.safetensors
    • V5.1 (VAE) - realisticVisionV60B1_v51VAE.ckpt
    • V5.1-inpainting (VAE) - realisticVisionV60B1_v51VAE-inpainting.safetensors
    • V6.0 B1 (VAE) - realisticVisionV60B1_v60B1VAE.safetensors
    • V6.0 B1 inpainting (VAE) - realisticVisionV60B1_v60B1InpaintingVAE.safetensors
    • V5.0 (VAE) - realisticVisionV60B1_v50VAE.ckpt
    • V5.0-inpainting (VAE) - realisticVisionV60B1_v50VAE-inpainting.ckpt
    • V4.0 (VAE) - realisticVisionV60B1_v40VAE.safetensors
    • V4.0-inpainting (VAE) - realisticVisionV60B1_v40VAE-inpainting.safetensors
    • V3.0 (VAE) - realisticVisionV60B1_v30VAE.safetensors
    • V3.0-inpainting (VAE) - realisticVisionV60B1_v30VAE-inpainting.ckpt
    • V3.0 (noVAE) - realisticVisionV60B1_v30Novae.safetensors
    • V3.0-inpainting (noVAE) - realisticVisionV60B1_v30Novae-inpainting.ckpt
    • V2.0 (noVAE) - realisticVisionV60B1_v20Novae.ckpt
    • V2.0-inpainting (noVAE) - realisticVisionV60B1_v20Novae-inpainting.ckpt
    • V1.3 - realisticVisionV60B1_v13.safetensors
    • V1.3-inpainting - realisticVisionV60B1_v13-inpainting.ckpt
    • V1.2 - realisticVisionV60B1_v12.ckpt