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    A dramatically lit, low-angle body shot captures a strikingly clear, full-length view of a blonde, stunning female thief. The perspective, from just below her feet, emphasizes her long, lean physique and the dynamism of her movement. The shot frames her from the crown of her head to her feet, focusing on her athletic build and confident stride. Her straight, long blonde hair flows slightly behind her, a testament to the speed of her run. She is wearing a luxurious, completely zipped, oversized hoodie emblazoned with the stylized text "Xucci" in a prominent, possibly embroidered, font across the chest. The hoodie's high-quality material is evident in its structure and subtle sheen. Below the hoodie, high-cut bikini bottoms in a contrasting color (perhaps a deep black or crimson) are visible, peeking out from the edge of the hoodie. The overall impression is one of illicit glamour. The setting is a beach near the shoreline during the end of the golden hour. Sun is not directly visible.
    A photo-realistic shoot from a front camera angle about a woman in a stunning white dress and hat, standing confidently in the middle of the image. the woman, who appears to be a young adult with pale skin and silver hair, is wearing a white, off-the-shoulder dress with a plunging neckline that shows off her cleavage and a thigh-high slit, along with white gloves and silver high heels. she has a confident and alluring expression on her face, with her eyes looking directly at the viewer. her hair is styled in short hair, and she is adorned with a large black hat with a white flower. the background is a simple black gradient, and the lighting is soft and even, casting gentle shadows on her figure. the image is high quality and has a watermark in the bottom right corner., 2b \(nier:automata\), 1girl, solo, breasts, looking at viewer, blue eyes, large breasts, blonde hair, gloves, dress, hat, cleavage, jewelry, bare shoulders, standing, full body, white hair, flower, short sleeves, earrings, parted lips, shoes, elbow gloves, white gloves, high heels, off shoulder, white dress, lips, side slit, highleg, black headwear, white flower, white footwear, dress lift, wide-brimmed hat, mole, nose, realistic, camera_angle: front, art_style: photo realistic, location: indoor, background: black background with soft lighting, text: NA, shoes: silver heels, clothing: white dress with deep v-neckline, accessory: large hat, hair_color: platinum blonde, distance_to_camera: full body
    best quality, masterpiece, 4k, UHD, 404, cartoon head of excited man coming out of a black circle, looking at camera, Jack Nicholson <lora:j4ckn1ck_jack_nicholson:1>, 20 years old man, evil smile, beautiful detailed eyes, <lora:DetailedEyes_V3:1>, intricate details, high details, sharp image, highres, best quality, Here's nothing!, text at the bottom that says (("Here's nothing!")), brick wall in the background
    (very old weathered daguerreotype photograph:1.5), (by Eugene Atget:1.4), (very old weathered zoomed out wide angle daguerreotype photo of an old human necromancer at the top of a staircase outdoors raising the dead in a very large ritualistic Victorian structure at night:1.3), (a necromancer with a crazed look stands atop a staircase over a group of living skeletons and corpses he brought back to life while he casts an unholy spell:1.3), (two skeletons kneel at the bottom of the stairs obediently:1.3), (hundreds of dead are reemerging from underground:1.3), (a large army of living skeletons and corpses weilding weapons and shields:1.3), (a necromancer is sacrificing a man floating in the air above him in an explosion of light:1.4), (a crazed necromancer stands atop a staircase while he casts a spell:1.3), (a candid photo of a necromancer performing unholy rituals:1.3), the necromancer is an old man wearing a weathered bloodstained cloak and he is adorned in bone and bone armor, there is an (unholy church in the distance:1.2) with an unnatural evil glow, (hundreds of corpses and skeletons are being reanimated and crawling out of their graves as the necromancer casts his incantation:1.2), (the skeletons and undead are beginning to stand and walk:1.3), living dead, undead, corpse reanimation, skeleton reanimation, walking skeleton, walking corpses, performing spells, ancient texts, (raising the dead:1.3), altar, supernatural lighting, homunculi, opening a rift, (very old and weathered zoomed out wide angle daguerreotype photograph:1.4), a haunting old photograph, (by Eugene Atget:1.4), gothic architecture, Victorian architecture BREAK (a necromancer is sacrificing a man floating in the air above him in an explosion of light:1.4), (a crazed necromancer stands atop a staircase while he casts a spell:1.3)
    (very old weathered daguerreotype photograph:1.5), (by Eugene Atget:1.4), (very old weathered zoomed out wide angle daguerreotype photo of an old human necromancer at the top of a staircase outdoors raising the dead in a very large ritualistic Victorian structure at night:1.3), (a necromancer with a crazed look stands atop a staircase over a group of living skeletons and corpses he brought back to life while he casts an unholy spell:1.3), (two skeletons kneel at the bottom of the stairs obediently:1.3), (hundreds of dead are reemerging from underground:1.3), (a large army of living skeletons and corpses weilding weapons and shields:1.3), (a necromancer is sacrificing a man floating in the air above him in an explosion of light:1.4), (a crazed necromancer stands atop a staircase while he casts a spell:1.3), (a candid photo of a necromancer performing unholy rituals:1.3), the necromancer is an old man wearing a weathered bloodstained cloak and he is adorned in bone and bone armor, there is an (unholy church in the distance:1.2) with an unnatural evil glow, (hundreds of corpses and skeletons are being reanimated and crawling out of their graves as the necromancer casts his incantation:1.2), (the skeletons and undead are beginning to stand and walk:1.3), living dead, undead, corpse reanimation, skeleton reanimation, walking skeleton, walking corpses, performing spells, ancient texts, (raising the dead:1.3), altar, supernatural lighting, homunculi, opening a rift, (very old and weathered zoomed out wide angle daguerreotype photograph:1.4), a haunting old photograph, (by Eugene Atget:1.4), gothic architecture, Victorian architecture BREAK (a necromancer is sacrificing a man floating in the air above him in an explosion of light:1.4), (a crazed necromancer stands atop a staircase while he casts a spell:1.3)
    A photo-realistic portrait shoot from a close-up camera angle about a young woman with white hair and striking blue eyes, set against a blurred background of snowy mountains and a body of water. the woman, who appears to be in her early twenties, is positioned in the middle of the image, looking directly at the camera with a neutral expression. her hair is styled in a long, braided bun, and her blue eyes are looking at the viewer. she has a slender physique and fair skin, with a small nose and full lips. she is wearing a pair of earrings, which add a touch of elegance to her overall appearance. the background is out of focus, but it's clear that the focus is on the woman's face and upper body. the lighting is soft and natural, highlighting her smooth skin and delicate features. the overall mood is calm and serene., 1girl, solo, long hair, looking at viewer, simple background, white hair, closed mouth, jewelry, bare shoulders, collarbone, upper body, outdoors, earrings. The image has a watermark in the bottom right corner, and the image is high quality, with jpeg artifacts, watermark, text: NA, distance_to_camera: close up, clothing: bare shoulder, image_composition: middle, pants: NA;NA, accessory: earrings;earrings, shoes: neutral;neutral, action: posing, facing_direction: facing viewer;facing viewer, eye_color: blue eyes;blue eyes, gender: 1woman;1woman, hair_style: braided hair, race: light skin;light skin, body: slim

      RealVisXL V5.0

    • V5.0 Lightning (BakedVAE) - realvisxlV50_v50LightningBakedvae.safetensors
    • V5.0 (BakedVAE) - realvisxlV50_v50Bakedvae.safetensors
    • V4.0 Lightning (BakedVAE) - realvisxlV50_v40LightningBakedvae.safetensors
    • V4.0 (BakedVAE) - realvisxlV50_v40Bakedvae.safetensors
    • V3.0 Turbo (BakedVAE) - realvisxlV50_v30TurboBakedvae.safetensors
    • V3.0 (BakedVAE) - realvisxlV50_v30Bakedvae.safetensors
    • V3.0-inpaint (BakedVAE) - realvisxlV50_v30InpaintBakedvae.safetensors
    • V2.02 Turbo (BakedVAE) - realvisxlV50_v202TurboBakedvae.safetensors
    • V2.0 (BakedVAE) - realvisxlV50_v20Bakedvae.safetensors
    • V1.02 Turbo (BakedVAE) - realvisxlV50_v102TurboBakedvae.safetensors
    • V1.0 (BakedVAE) - realvisxlV50_v10Bakedvae.safetensors

      Realistic Vision V6.0 B1

    • V5.1 Hyper (VAE) - realisticVisionV60B1_v51HyperVAE.safetensors
    • V5.1 Hyper-Inpaint (VAE) - realisticVisionV60B1_v51HyperInpaintVAE.safetensors
    • V5.1 (VAE) - realisticVisionV60B1_v51VAE.ckpt
    • V5.1-inpainting (VAE) - realisticVisionV60B1_v51VAE-inpainting.safetensors
    • V6.0 B1 (VAE) - realisticVisionV60B1_v60B1VAE.safetensors
    • V6.0 B1 inpainting (VAE) - realisticVisionV60B1_v60B1InpaintingVAE.safetensors
    • V5.0 (VAE) - realisticVisionV60B1_v50VAE.ckpt
    • V5.0-inpainting (VAE) - realisticVisionV60B1_v50VAE-inpainting.ckpt
    • V4.0 (VAE) - realisticVisionV60B1_v40VAE.safetensors
    • V4.0-inpainting (VAE) - realisticVisionV60B1_v40VAE-inpainting.safetensors
    • V3.0 (VAE) - realisticVisionV60B1_v30VAE.safetensors
    • V3.0-inpainting (VAE) - realisticVisionV60B1_v30VAE-inpainting.ckpt
    • V3.0 (noVAE) - realisticVisionV60B1_v30Novae.safetensors
    • V3.0-inpainting (noVAE) - realisticVisionV60B1_v30Novae-inpainting.ckpt
    • V2.0 (noVAE) - realisticVisionV60B1_v20Novae.ckpt
    • V2.0-inpainting (noVAE) - realisticVisionV60B1_v20Novae-inpainting.ckpt
    • V1.3 - realisticVisionV60B1_v13.safetensors
    • V1.3-inpainting - realisticVisionV60B1_v13-inpainting.ckpt
    • V1.2 - realisticVisionV60B1_v12.ckpt