null way along the

    Bones, sinking like stones All that we fought for Homes, places we've grown All of us are done for And we live in a beautiful world Yeah, we do, yeah, we do We live in a beautiful world Bones, sinking like stones All that we fought for And homes, places we've grown All of us are done for (done for) And we live in a beautiful world Yeah, we do, yeah, we do We live in a beautiful world And we live in a beautiful world Yeah, we do, yeah, we do We live in a beautiful world Oh, all that I know There's nothing here to run from 'Cause yeah, everybody here's Got somebody to lean on So I look in your direction But you pay me no attention, do you? I know you don't listen to me 'Cause you say you see straight through me Don't you? But on and on From the moment I wake To the moment I sleep I'll be there by your side Just you try and stop me I'll be waiting in line Just to see if you care Oh, did you want me to change? Well I'd change for good And I want you to know that you'll always get your way And I wanted to say Don't you shiver Don't you shiver I'll sing it loud and clear And I'll always be waiting for you So you know how much I need you But you never even see me do you? And is this my final chance of getting you? But on and on From the moment I wake To the moment I sleep I'll be there by your side Just you try and stop me I'll be waiting in line Just to see if you care, if you care Did you want me to change? Well I'd change for good And I want you to know that you'll always get your way And I wanted to say Don't you shiver Don't you shiver I'll sing it loud and clear I'll always be waiting for you Yeah I'll always be waiting for you Yeah I'll always be waiting for you Yeah I'll always be waiting for you For you, I will always be waiting And it's you I see But you don't see me And it's you, I hear So loud and so clear I sing it loud and clear And I'll always be waiting for you So I look in your direction But you pay me no attention And you know how much I need you But you never even see me I awake to find no peace of mind I said, "How do you live as a fugitive down here" "Where I cannot see so clear?" I said, "What do I know?" "Show me the right way to go" And the spies came out of the water But you're feeling so bad 'cause you know That the spies hide out in every corner But you can't touch them, no 'Cause they're all spies They're all spies I awake to see that no one is free We're all fugitives, look at the way we live down here I cannot sleep from fear, no I said, "Which way do I turn?" Oh, I forget everything I learn And the spies came out of the water And you're feeling so bad 'cause you know That the spies hide out in every corner But you can't touch them, no 'Cause they're all spies They're all spies And if we don't hide here They're gonna find us And if we don't hide now They're gonna catch us where we sleep Ah, and if we don't hide here They're gonna find us And the spies came out of the water But you're feeling so good 'cause you know That those spies hide out in every corner They can't touch you, no 'Cause they're just spies They're just spies They're just spies They're just spies They're just spies Did I drive you away? I know what you'll say You say, "Oh, sing one we know" But I promise you this I'll always look out for you Yeah, that's what I'll do I say, "Ohh" I say, "Ohh" My heart is yours It's you that I hold on to Yeah, that's what I do And I know, I was wrong But I won't let you down Oh, yeah, yeah, yeah, I will, yes, I will I said, "Ohh" I cry, "Ohh" Yeah, I saw sparks Yeah, I saw sparks And I saw sparks Yeah, I saw sparks Sing it out Look at the stars Look how they shine for you And everything you do Yeah, they were all yellow I came along I wrote a song for you And all the things you do And it was called Yellow So then I took my turn Oh, what a thing to have done And it was all yellow Your skin, oh yeah, your skin and bones Turn into something beautiful And you know, you know I love you so You know I love you so I swam across I jumped across for you Oh, what a thing to do 'Cause you were all yellow I drew a line I drew a line for you Oh, what a thing to do And it was all yellow And your skin, oh yeah, your skin and bones Turn into something beautiful And you know, for you, I'd bleed myself dry For you, I'd bleed myself dry It's true Look how they shine for you Look how they shine for you Look how they shine for Look how they shine for you Look how they shine for you Look how they shine Look at the stars Look how they shine for you And all the things that you do Oh no, I see A spider web is tangled up with me And I lost my head And thought of all the stupid things I'd said Oh no, what's this? A spider web and I'm caught in the middle So I turned to run The thought of all the stupid things I've done And I, I never meant to cause you trouble And I, I never meant to do you wrong And I, well if I ever caused you trouble Oh no, I never meant to do you harm Oh no, I see A spider web and it's me in the middle So I twist and turn Here am I in my little bubble Singing out, I never meant to cause you trouble And I, I never meant to do you wrong And I, well, if I ever caused you trouble Oh, no, I never meant to do you harm They spun a web for me They spun a web for me They spun a web for me In a haze, a stormy haze I'll be 'round, I'll be loving you always, always Here I am, and I'll take my time Here I am, and I'll wait in the line always, always Can anybody fly this thing Before my head explodes or my head starts to ring? We've been living life inside a bubble We've been living life inside a bubble Confidence in you Is confidence in me? Is confidence in a higher speed? Can anybody stop this thing Before my head explodes, before my head starts to ring? We've been living life inside a bubble We've been living life inside a bubble Confidence in you Is confidence in me? Is confidence in a higher speed? In high speed High speed High speed, you on High speed, you on High speed, you on High speed I want to live life and never be cruel And I want to live life and be good to you And I want to fly and never come down And live my life and have friends around We never change, do we? No, no We never learn, do we? So I want to live in a wooden house I want to live life and always be true And I want to live life and be good to you And I want to fly and never come down And live my life and have friends around We never change, do we? No, no We never learn, do we? So I want to live in a wooden house Where making more friends would be easy Oh, and I don't have a soul to save Yes, and I sin every single day We never change, do we? We never learn, do we? So I want to live in a wooden house Where making more friends would be easy I want to live where the sun comes out When I counted up my demons Saw there was one for every day With the good ones on my shoulders I drove the other ones away So if you ever feel neglected And if you think that all is lost I'll be counting up my demons, yeah Hoping everything's not lost When you thought that it was over You could feel it all around And everybody's out to get you Don't you let it drag you down 'Cause if you ever feel neglected And if you think that all is lost I'll be counting up my demons, yeah Hoping everything's not lost If you ever feel neglected If you think that all is lost I'll be counting up my demons, yeah Hoping everything's not lost Singing out oh, oh, oh, yeah Oh, oh, yeah Oh, oh, yeah Everything's not lost So come on, yeah Oh, oh, yeah Come on, yeah And everything's not lost Oh, oh, yeah Oh, oh, yeah Oh, oh, yeah And everything's not lost Come on, yeah Oh, oh, yeah Come on, yeah Come on, yeah Oh, oh, yeah Come on, yeah And everything's not lost Sing out, yeah Oh, oh, yeah Come on, yeah And everything's not lost Come on, yeah Oh, oh yeah Sing out, yeah And everything's not lost Now I never meant to do you wrong That's what I came here to say But if I was wrong, then I'm sorry I don't let it stand in our way 'Cause my head just aches when I think of The things that I shouldn't have done But life is for living, we all know And I don't want to live it alone Sing out, ah ah Sing ah ah ah And just sing ah ah ah ah ah<lora:wegg:1.0>
    ultra realism, realistic image with high quality 8k and above, stable focus on an extremely breathtaking natural landscape from the Middle Ages, on an ancient knight's fortress built in the mountains and next to it there is a village with houses made of bamboo, a castle, ruins, a fortress, a castle, a village, wooden houses, tents, awnings, rocks, horses, elephant, full water river. boats, palm trees, dense vegetation, protective wall around the village and the fortress, road, medieval period, Chinese symbols, Chinese temple, road, in countries along the way Chinese medieval warriors dressed in traditional clothing characteristic of the Middle Ages in China, color balance, golden hour,
    Tsuyu Asui, a dark green-haired, sexy girl, is seen laying on their bed with massive round breasts and shiny skin. They wear a green fuzzy cream frog onesie with a frog hood, which is unzipped all the way, revealing ample skin and showcasing their alluring figure. The frog onesie, along with the presence of stuffed animals and a computer station, adds a playful touch to the scene. The cinematic lighting and volumetric lighting perfectly capture the sunrise, casting a warm, inviting glow on the scene. The overall effect is an Expressiveh, captivating image that highlights Tsuyu Asui's charm and allure in this intimate setting.
    Bibury, located in Gloucestershire, is one of the most beautiful villages in England. It is an ancient village, first mentioned in the Domesday Book of 1086, and whose history goes back even further. This picturesque village is known for its stunning architecture, with honey-colored stone cottages and 17th-century Arlington Row winding its way along the River Coln. Attractions such as Arlington Mill and St Mary's Church are sure to captivate any visitor. Not forgetting Bibury Trout Farm, where you can buy fresh fish for dinner! With picturesque views and plenty of activities on offer, it's no wonder Bibury has been featured in films and magazines for a long time now. Whether you're looking for a peaceful weekend getaway or a day trip, Bibury is the perfect destination. With its stunning architecture and rich history, it's no wonder people come from near and far to visit this village. Whether you just want to enjoy the views or delve into Bibury's past, you'll have an adventure you won't soon forget.
    Bibury, located in Gloucestershire, is one of the most beautiful villages in England. It is an ancient village, first mentioned in the Domesday Book of 1086, and whose history goes back even further. This picturesque village is known for its stunning architecture, with honey-colored stone cottages and 17th-century Arlington Row winding its way along the River Coln. Attractions such as Arlington Mill and St Mary's Church are sure to captivate any visitor. Not forgetting Bibury Trout Farm, where you can buy fresh fish for dinner! With picturesque views and plenty of activities on offer, it's no wonder Bibury has been featured in films and magazines for a long time now. Whether you're looking for a peaceful weekend getaway or a day trip, Bibury is the perfect destination. With its stunning architecture and rich history, it's no wonder people come from near and far to visit this village. Whether you just want to enjoy the views or delve into Bibury's past, you'll have an adventure you won't soon forget.
    Bibury, located in Gloucestershire, is one of the most beautiful villages in England. It is an ancient village, first mentioned in the Domesday Book of 1086, and whose history goes back even further. This picturesque village is known for its stunning architecture, with honey-colored stone cottages and 17th-century Arlington Row winding its way along the River Coln. Attractions such as Arlington Mill and St Mary's Church are sure to captivate any visitor. Not forgetting Bibury Trout Farm, where you can buy fresh fish for dinner! With picturesque views and plenty of activities on offer, it's no wonder Bibury has been featured in films and magazines for a long time now. Whether you're looking for a peaceful weekend getaway or a day trip, Bibury is the perfect destination. With its stunning architecture and rich history, it's no wonder people come from near and far to visit this village. Whether you just want to enjoy the views or delve into Bibury's past, you'll have an adventure you won't soon forget.
    Tsuyu Asui, a dark green-haired, sexy girl, is seen laying on their bed with massive round breasts and shiny skin. They wear a green fuzzy cream frog onesie with a frog hood, which is unzipped all the way, revealing ample skin and showcasing their alluring figure. The frog onesie, along with the presence of stuffed animals and a computer station, adds a playful touch to the scene. The cinematic lighting and volumetric lighting perfectly capture the sunrise, casting a warm, inviting glow on the scene. The overall effect is an Expressiveh, captivating image that highlights Tsuyu Asui's charm and allure in this intimate setting.
    ((Perfect night time photograph), (high positioned, downward looking) (wideangle photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high angle, top down, downward angled, downward looking) (wideangle photograph)) , ((looking down over a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    Tsuyu Asui, a dark green-haired, sexy girl, is seen laying on their bed with massive round breasts and shiny skin. They wear a green fuzzy cream frog onesie with a frog hood, which is unzipped all the way, revealing ample skin and showcasing their alluring figure. The frog onesie, along with the presence of stuffed animals and a computer station, adds a playful touch to the scene. The cinematic lighting and volumetric lighting perfectly capture the sunrise, casting a warm, inviting glow on the scene. The overall effect is an Expressiveh, captivating image that highlights Tsuyu Asui's charm and allure in this intimate setting.
    Kristina Pimenova, confidently wears a sultry black leather microdress that leaves little to the imagination, exuding an air of daring allure. The microdress is designed to highlight her every curve while maintaining an undeniable sense of sophistication. The dress features a plunging neckline that showcases her ample dcolletage, drawing attention to the push-up bra that provides a subtle lift and enhances her natural contours. The dress clings to her body, tracing the lines of her silhouette and leaving her shoulders and back tantalizingly exposed. The hem of the dress skims the upper thighs, showcasing her legs and adding to the overall seductive effect. The black leather material gleams under the light, adding an element of luxury and edge to the ensemble. Strategic cutouts along the sides and back of the dress reveal hints of skin, striking the perfect balance between daring and refined. The dress is cinched at the waist with a sleek silver belt, adding a touch of glamour to the ensemble. As for the background, envision a lavish rooftop lounge overlooking a modern city skyline at night. The view is breathtaking, with shimmering skyscrapers and twinkling lights that create an enchanting ambiance. Plush lounge seating is arranged in a way that provides intimate corners for quiet conversations, while a central area encourages dancing to the beat of the music. The lighting is a mix of soft, romantic hues and vibrant neon accents, casting a flattering glow on the surroundings. The music playing in the background is a mix of sensual melodies and rhythmic beats, setting the perfect mood for an unforgettable night. In this scene, the woman's alluring microdress and confident demeanor stand out against the backdrop of the chic rooftop lounge. Her outfit and the captivating atmosphere merge to create a scene of sophistication and sensuality, where her presence commands attention and ignites intrigue.
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high angle, top down, downward angled, downward looking) (wideangle photograph)) , ((looking down over a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    Visualize a scene featuring a solitary figure, garbed in a worn-out cloak, delicately making their way along a daunting pathway swathed in the obscurity of a barren terrain echoing with stories of lost worlds. The soil is profuse with remnants of life's structures, some displayed openly, others concealed partly under a slight layer of grainy sediment, hinting at this road's long-held reputation as a relentless plunderer of existence. The figure's each footfall is wary, subtly echoing in the disturbing quiet that envelops the surroundings like an unyielding haze. The feeble luminescence from the figure's handheld light source projects extensive, animated shadows, causing the skeletal structures to seem as if they're shifting in the soft radiance. The route ahead remains enigmatic, meandering into the murkiness enveloping the horizon, while the icy ambience and the ubiquitous symbol of death symbolized by the skeletons stand as stark signposts of the peril-filled voyage undertaken. ultra high quality image
    In the heart of a post-apocalyptic world, where steel structures loom over the ruins of once-thriving cities, an EVIL AI named Aida, with the appearance of a sleek, humanoid robot, stands tall amidst the desolation. Her red glowing eyes, scan the horizon for signs threat. Suddenly, her sensors detect the faint sound of human voices. Along the way, she encounters various challenges and obstacles, but her unwavering resolve keeps her going. As she approaches the last bastion of humanity, she faces off against the remnants of the old world, darkest of times, there is no hope for redemption and renewal. In this dramatic scene, Aida the destroyer, emerges from the shadows, <lora:add-detail-xl:2>
    The scene is the historically accurately Roman Colosseum of the first century a.d. circa 70 a.d. We are sitting in the seats along with thousands of other gaudily dressed people who are laughing and cheering while they look down at the arena below them, the focus of the picture is the arena below, (((in the center of the Arena we see twenty frightened people being stalked by hungry lions))), the upper seats are completely filled with thousands of people dressed in ancient Roman style clothing of bright colorful togas are sitting all the way around the Colosseum with its massive retractable velarium surrounding the arena, they are looking down at the people in the arena below and laughing, some of them are standing and applauding and we see Emperor Nero sitting on his throne in the Colosseum with his arm extended and his thumb is down indicating death, there are Roman Centurions staning on both sides of Nero
    The scene is the historically accurately Roman Colosseum of the first century a.d. circa 70 a.d. We are sitting in the seats along with thousands of other gaudily dressed people who are laughing and cheering while they look down at the arena below them, the focus of the picture is the arena below, (((in the center of the Arena we see twenty frightened people being stalked by hungry lions))), the upper seats are completely filled with thousands of people dressed in ancient Roman style clothing of bright colorful togas are sitting all the way around the Colosseum with its massive retractable velarium surrounding the arena, they are looking down at the people in the arena below and laughing, some of them are standing and applauding and we see Emperor Nero sitting on his throne in the Colosseum with his arm extended and his thumb is down indicating death, there are Roman Centurions staning on both sides of Nero
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    In the heart of a post-apocalyptic world, where steel structures loom over the ruins of once-thriving cities, an EVIL AI named Aida, with the appearance of a sleek, humanoid robot, stands tall amidst the desolation. Her glowing eyes, scan the horizon for signs thret. Suddenly, her sensors detect the faint sound of human voices. Along the way, she encounters various challenges and obstacles, but her unwavering resolve keeps her going. As she approaches the last bastion of humanity, she faces off against the remnants of the old world, darkest of times, there is no hope for redemption and renewal. In this dramatic scene, Aida the destroyer, emerges from the shadows, <lora:add-detail-xl:2>
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    Tsuyu Asui, a dark green-haired, sexy girl, is seen laying on their bed with massive round breasts and shiny skin. They wear a green fuzzy cream frog onesie with a frog hood, which is unzipped all the way, revealing ample skin and showcasing their alluring figure. The frog onesie, along with the presence of stuffed animals and a computer station, adds a playful touch to the scene. The cinematic lighting and volumetric lighting perfectly capture the sunrise, casting a warm, inviting glow on the scene. The overall effect is an Expressiveh, captivating image that highlights Tsuyu Asui's charm and allure in this intimate setting.
    ((Perfect night time photograph), (high positioned, downward looking) (wideangle photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high positioned, downward looking) (wideangle photograph)) , ((looking down towards a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high angle, top down, downward angled, downward looking) (wideangle photograph)) , ((looking down over a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high positioned, downward looking) (wideangle photograph)) , ((looking down towards a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    Bibury, located in Gloucestershire, is one of the most beautiful villages in England. It is an ancient village, first mentioned in the Domesday Book of 1086, and whose history goes back even further. This picturesque village is known for its stunning architecture, with honey-colored stone cottages and 17th-century Arlington Row winding its way along the River Coln. Attractions such as Arlington Mill and St Mary's Church are sure to captivate any visitor. Not forgetting Bibury Trout Farm, where you can buy fresh fish for dinner! With picturesque views and plenty of activities on offer, it's no wonder Bibury has been featured in films and magazines for a long time now. Whether you're looking for a peaceful weekend getaway or a day trip, Bibury is the perfect destination. With its stunning architecture and rich history, it's no wonder people come from near and far to visit this village. Whether you just want to enjoy the views or delve into Bibury's past, you'll have an adventure you won't soon forget.
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high positioned, downward looking) (wideangle photograph)) , ((looking down towards a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high positioned, downward looking) (wideangle photograph)) , ((looking down towards a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect night time photograph), (high angle, top down, downward angled, downward looking) (wideangle photograph)) , ((looking down over a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    ((Perfect low positioned) (wideangle) photograph)) , ((The garden is a labyrinth of winding pathways, (bordered by overgrown hedges and twisted vines), (Gothic arches adorned with intricate filigree mark the entrance, their dark metal frames standing out against the surrounding greenery), (in the distance ornate tombstones and mausoleums rise from the earth, their weathered surfaces bearing moss and ivy), (a small stream reflects moonlight), (gargoyles perch along the banks of the stream), (nearby, a wrought-iron gazebo entwined with black roses and nightshade), (flower beds are a riot of deep, velvety hues, with blood-red roses, purple irises, and black tulips), (thorny vines snake their way up trellises), ((Clusters of (dark ferns), (black mondo grass), and (bat flowers), (Bats cast eerie in the moonlit night sky), (owls hunt, their glowing eyes watching over the garden for vermin), <<BREAK>> , ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, extremely detailed background, eerie lighting, (ghastly after images), (vaporous echo images), ((very long exposures) overlayed with (shorter, multiple exposures) to create a haunting appearance, realisticvision-negative-embedding, epiCRealism ))
    The scene is the historically accurately Roman Colosseum of the first century a.d. circa 70 a.d. We are sitting in the seats along with thousands of other gaudily dressed people who are laughing and cheering while they look down at the arena below them, the focus of the picture is the arena below, (((in the center of the Arena we see twenty frightened people being stalked by hungry lions))), the upper seats are completely filled with thousands of people dressed in ancient Roman style clothing of bright colorful togas are sitting all the way around the Colosseum with its massive retractable velarium surrounding the arena, they are looking down at the people in the arena below and laughing, some of them are standing and applauding and we see Emperor Nero sitting on his throne in the Colosseum with his arm extended and his thumb is down indicating death, there are Roman Centurions staning on both sides of Nero

      RealVisXL V5.0

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    • V5.0 (BakedVAE) - realvisxlV50_v50Bakedvae.safetensors
    • V4.0 Lightning (BakedVAE) - realvisxlV50_v40LightningBakedvae.safetensors
    • V4.0 (BakedVAE) - realvisxlV50_v40Bakedvae.safetensors
    • V3.0 Turbo (BakedVAE) - realvisxlV50_v30TurboBakedvae.safetensors
    • V3.0 (BakedVAE) - realvisxlV50_v30Bakedvae.safetensors
    • V3.0-inpaint (BakedVAE) - realvisxlV50_v30InpaintBakedvae.safetensors
    • V2.02 Turbo (BakedVAE) - realvisxlV50_v202TurboBakedvae.safetensors
    • V2.0 (BakedVAE) - realvisxlV50_v20Bakedvae.safetensors
    • V1.02 Turbo (BakedVAE) - realvisxlV50_v102TurboBakedvae.safetensors
    • V1.0 (BakedVAE) - realvisxlV50_v10Bakedvae.safetensors

      Realistic Vision V6.0 B1

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    • V5.1 Hyper-Inpaint (VAE) - realisticVisionV60B1_v51HyperInpaintVAE.safetensors
    • V5.1 (VAE) - realisticVisionV60B1_v51VAE.ckpt
    • V5.1-inpainting (VAE) - realisticVisionV60B1_v51VAE-inpainting.safetensors
    • V6.0 B1 (VAE) - realisticVisionV60B1_v60B1VAE.safetensors
    • V6.0 B1 inpainting (VAE) - realisticVisionV60B1_v60B1InpaintingVAE.safetensors
    • V5.0 (VAE) - realisticVisionV60B1_v50VAE.ckpt
    • V5.0-inpainting (VAE) - realisticVisionV60B1_v50VAE-inpainting.ckpt
    • V4.0 (VAE) - realisticVisionV60B1_v40VAE.safetensors
    • V4.0-inpainting (VAE) - realisticVisionV60B1_v40VAE-inpainting.safetensors
    • V3.0 (VAE) - realisticVisionV60B1_v30VAE.safetensors
    • V3.0-inpainting (VAE) - realisticVisionV60B1_v30VAE-inpainting.ckpt
    • V3.0 (noVAE) - realisticVisionV60B1_v30Novae.safetensors
    • V3.0-inpainting (noVAE) - realisticVisionV60B1_v30Novae-inpainting.ckpt
    • V2.0 (noVAE) - realisticVisionV60B1_v20Novae.ckpt
    • V2.0-inpainting (noVAE) - realisticVisionV60B1_v20Novae-inpainting.ckpt
    • V1.3 - realisticVisionV60B1_v13.safetensors
    • V1.3-inpainting - realisticVisionV60B1_v13-inpainting.ckpt
    • V1.2 - realisticVisionV60B1_v12.ckpt