null where fractal geometry

    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    The portrayal of a mystical ice cave in 'Fractalism', where fractal geometry creates mesmerizing patterns in tones of glacier blue and frost white
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    ((((An elephant made in Fractal Geometry Style))))
    A mind-bending blending a 4D Klein bottle with a holographic fractal, featuring a non-orientable, self-contained surface and an inner labyrinth of infinitely-recursive, holographic projections. Captured in an impossible, self-referential pose using 3D holography and hyperbolic geometry techniques, evoking the paradoxical art of Oscar Reutersvärd and the concept of self-similarity across dimensions. <lora:grainy-v1:0.7>
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    a beautiful 20 year old girl, milky way double long-exposure looks like fractal geometry, traffic light,runes, arcane, quantic, astral, surreal, ethereal glow, photorealistic, perfect composition, masterpiece, best quality,intricate design, hyper realistic, high definition, extremely detailed, dark softbox image, raytracing, cinematic, HDR, photorealistic, stop motion, motion graphics, in the style of constantine and equilibrium,
    Beautiful evocative post-impressionist oil painting of Iron Man with a tainted soul bleeding nightmares, with Escher geometry dark vibrant colors and heavy and light brush strokes to dramatic effect oil painting by James Gurney abstract vector fractal, wave function, Zentangle, 3d shading, abstract vector fractal, wave function, Zentangle, 3d shading Charles M. Schulz, comic book art, perfect, smooth, horror Gustave Dore Greg Rutkowski
    Beautiful evocative post-impressionist oil painting of a evil woman with a tainted soul bleeding nightmares, with Escher geometry dark vibrant colors and heavy and light brush strokes to dramatic effect oil painting by James Gurney abstract vector fractal, wave function, Zentangle, 3d shading, abstract vector fractal, wave function, Zentangle, 3d shading Mark Brooks and Dan Mumford, comic book art, perfect, smooth, horror Gustave Doré Greg Rutkowski
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    Beautiful evocative post-impressionist oil painting of a blonde woman (Mickie Henderson) with a tainted soul bleeding nightmares, with Escher geometry dark vibrant colors and heavy and light brush strokes to dramatic effect oil painting by James Gurney abstract vector fractal, wave function, Zentangle, 3d shading, abstract vector fractal, wave function, Zentangle, 3d shading Mark Brooks and Dan Mumford, comic book art, perfect, smooth, horror Gustave Doré Greg Rutkowski
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    four stacked heads merged together vertically, (((beautiful eyeball in open mouth))), high contrast ink stencil, black and yellow, semi-realistic, graphic novel, ((fractal geometry)), sacred geometry, fibbonacci sequence, holy image, made of porcelain that looks like melting wax, 8k, IMAX camera, depth of field, dust particles, volumetric lighting, hyperrealism, (((extreme texture detail))), f/8, iso 100, masterpiece photograph, caustics, refraction, subsurface scattering, HDR, indistinguishable from reality, mastercraft, professional lighting, minute details, pores, scratches and imperfections, high bit shado depth,
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    Beautiful evocative post-impressionist oil painting of a evil woman with a tainted soul bleeding nightmares, with Escher geometry dark vibrant colors and heavy and light brush strokes to dramatic effect oil painting by James Gurney abstract vector fractal, wave function, Zentangle, 3d shading, abstract vector fractal, wave function, Zentangle, 3d shading Mark Brooks and Dan Mumford, comic book art, perfect, smooth, horror Gustave Doré Greg Rutkowski
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    “In a single still frame, show a towering, bio-luminescent mangrove tree rising from crystalline waters that refract intricate fractal patterns onto massive, translucent petals above. Within each petal, nested micro-worlds mirror shifting auroras and drifting spores. Shimmering vines, encrusted with ornate shells and pearls, coil among swirling mist lit by diffuse golden sunlight. Every surface is textured with hyper-detailed engravings, revealing subtly hidden glyphs and impossible, non-Euclidean geometry—an otherworldly fusion of lush nature and arcane complexity.”
    Create a mathematical masterpiece—a three-dimensional Möbius strip, seamlessly integrated into a hyperbolic tessellation, framed by a 5-dimensional projection. Its surfaces shift with fractal intricacies, reflecting infinite symmetry, their contours illuminated by gradient light that mimics the dawn. Each Möbius face spirals into a higher-dimensional knot, revealing Fibonacci-sequenced textures as the observer's angle shifts. Add a paradoxical feature: where two intersecting planes meet the Möbius strip, they split into recursive Penrose triangles, radiating chromatic aberrations that evoke a sense of ethereal wonder. Let the entire structure float above an Escher-inspired plane, where liquid-like geometry cascades into non-Euclidean pools, each ripple teasing a fourth spatial dimension. The composition must balance between chaos and serenity, pushing the visual limits of AI’s generative capacities while preserving unity and allure.
    Surreal, Beautiful evocative post-impressionist oil painting of wormhole with Escher geometry dark vibrant colors and heavy and light brush strokes to dramatic effect oil painting by James Gurney abstract vector fractal, wave function, Zentangle, 3d shading, abstract vector fractal, wave function, Zentangle, 3d shading Mark Brooks and Dan Mumford, comic book art, perfect, smooth, horror Gustave Doré Greg Rutkowski
    Beautiful evocative post-impressionist oil painting of a evil woman with a tainted soul draining nightmares, with Escher geometry dark vibrant colors and heavy and light brush strokes to dramatic effect oil painting by James Gurney abstract vector fractal, wave function, Zentangle, 3d shading, abstract vector fractal, wave function, Zentangle, 3d shading Charles M. Schulz, comic book art, perfect, smooth, horror Wes Craven

      RealVisXL V5.0

    • V5.0 Lightning (BakedVAE) - realvisxlV50_v50LightningBakedvae.safetensors
    • V5.0 (BakedVAE) - realvisxlV50_v50Bakedvae.safetensors
    • V4.0 Lightning (BakedVAE) - realvisxlV50_v40LightningBakedvae.safetensors
    • V4.0 (BakedVAE) - realvisxlV50_v40Bakedvae.safetensors
    • V3.0 Turbo (BakedVAE) - realvisxlV50_v30TurboBakedvae.safetensors
    • V3.0 (BakedVAE) - realvisxlV50_v30Bakedvae.safetensors
    • V3.0-inpaint (BakedVAE) - realvisxlV50_v30InpaintBakedvae.safetensors
    • V2.02 Turbo (BakedVAE) - realvisxlV50_v202TurboBakedvae.safetensors
    • V2.0 (BakedVAE) - realvisxlV50_v20Bakedvae.safetensors
    • V1.02 Turbo (BakedVAE) - realvisxlV50_v102TurboBakedvae.safetensors
    • V1.0 (BakedVAE) - realvisxlV50_v10Bakedvae.safetensors

      Realistic Vision V6.0 B1

    • V5.1 Hyper (VAE) - realisticVisionV60B1_v51HyperVAE.safetensors
    • V5.1 Hyper-Inpaint (VAE) - realisticVisionV60B1_v51HyperInpaintVAE.safetensors
    • V5.1 (VAE) - realisticVisionV60B1_v51VAE.ckpt
    • V5.1-inpainting (VAE) - realisticVisionV60B1_v51VAE-inpainting.safetensors
    • V6.0 B1 (VAE) - realisticVisionV60B1_v60B1VAE.safetensors
    • V6.0 B1 inpainting (VAE) - realisticVisionV60B1_v60B1InpaintingVAE.safetensors
    • V5.0 (VAE) - realisticVisionV60B1_v50VAE.ckpt
    • V5.0-inpainting (VAE) - realisticVisionV60B1_v50VAE-inpainting.ckpt
    • V4.0 (VAE) - realisticVisionV60B1_v40VAE.safetensors
    • V4.0-inpainting (VAE) - realisticVisionV60B1_v40VAE-inpainting.safetensors
    • V3.0 (VAE) - realisticVisionV60B1_v30VAE.safetensors
    • V3.0-inpainting (VAE) - realisticVisionV60B1_v30VAE-inpainting.ckpt
    • V3.0 (noVAE) - realisticVisionV60B1_v30Novae.safetensors
    • V3.0-inpainting (noVAE) - realisticVisionV60B1_v30Novae-inpainting.ckpt
    • V2.0 (noVAE) - realisticVisionV60B1_v20Novae.ckpt
    • V2.0-inpainting (noVAE) - realisticVisionV60B1_v20Novae-inpainting.ckpt
    • V1.3 - realisticVisionV60B1_v13.safetensors
    • V1.3-inpainting - realisticVisionV60B1_v13-inpainting.ckpt
    • V1.2 - realisticVisionV60B1_v12.ckpt