A busy 15th century royal court in Surrealist style, High detailed, 8k, :Dystopian, bleak, melancholy, nauseating, gritty, harsh, neo-noire futurism, (also breathtaking, detailed, expansive, photorealistic ultra high definition, highest quality, ultrarealistic), perfect composition, dramatic action, sharp focus, intricate details, highly detailed, experimental angles, experimental lighting, rule of thirds <lora:xl_more_art-full_v1:0.5> , strong fisheye view, bokeh, disturbing cinematic morbidity, highly detailed, psychologically unsettling , Zeiss Master Prime Lenses, Panavision, Film Stock Footage, with a Nikon Z 14-30mm f/4 lens at 30mm. 10 seconds, f/5.6, ISO 6400 , perfect Cinematic photograph, magnificent, ethereal, epic, terror inspiring, dreamy <lora:detailed_notrigger:1> <lora:add-detail-xl:1.1> misc, , motion blur, highly detailed <that special face>

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    More prompts from ExCivitan

    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), 
<<BREAK>>
[(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) 
epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    detailed personification of directionless-existential-drift,
very detailed background
    In the stillness of the land, where whispers fade to mist,
A somber shadow lingers, where the lost ones gently kissed.
Their names upon the wind, like petals softly tossed,
In memory they linger, their absence never lost.
Through the rivers' gentle flow, and the mountains' silent cry,
Their spirits dance in moonlight, beneath the endless sky.
Though taken from this earth, their presence still remains,
In every leaf that rustles, in every gentle refrain.
We honor their existence, their stories left unsaid,
With solemn hearts we gather, to remember those who've fled.
On this awareness day, we must vow to never rest,
Until every missing sister finds her soul justice and truth caressed. ,
mournful after image, north american indigenous women themes, double exposure, memories in the back of her mind, memories echo image, echo image, refection, sidelit, noise offset,  <lora:add-detail-xl:1>  candid photography, Getty Images quality photograph, sad but warm endearing photograph contrasted by melancholy terror and regret , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    In the stillness of the land, where whispers fade to mist,
A somber shadow lingers, where the lost ones gently kissed.
Their names upon the wind, like petals softly tossed,
In memory they linger, their absence never lost.
Through the rivers' gentle flow, and the mountains' silent cry,
Their spirits dance in moonlight, beneath the endless sky.
Though taken from this earth, their presence still remains,
In every leaf that rustles, in every gentle refrain.
We honor their existence, their stories left unsaid,
With solemn hearts we gather, to remember those who've fled.
On this awareness day, we must vow to never rest,
Until every missing sister finds her soul justice and truth caressed. ,
mournful after image, north american indigenous women themes, double exposure, memories in the back of her mind, memories echo image, echo image, refection, sidelit, noise offset,  <lora:add-detail-xl:1>  candid photography, Getty Images quality photograph, sad but warm endearing photograph contrasted by melancholy terror and regret , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Unholy photograph, ((ONLY USE, (muted purples, vaporous greys, faint blues, and crimson )) , (paranormal surrealism), ((bypassing rationality)), (ghastly after image), (frightening double exposures), (terrifying echo image), ((echo image)), (gothic cinematic surrealism), sidelit,  (masterpiece from evil), film grain, noise offset, (Viona Ielegem quality photograph), (macabre surrealist horror photograph), [themes of menacing, lurking, evil, and memory] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme),  (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme),  (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    POV: Strong fisheye-lens photograph (intense fisheye-view photograph), of an icecream shop during The Purge!
, 
:BREAK:
,
((Themes of vintage 1950's icecream shop contrasted by themes of James DeMonaco's dystopian political thriller The Purge))
(( fisheye photograph includes blood splatters, the word "Purge" clearly seen, experimental low upward looking angles, cinematic, perfect composition, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism ))
    In the stillness of the land, where whispers fade to mist,
A somber shadow lingers, where the lost ones gently kissed.
Their names upon the wind, like petals softly tossed,
In memory they linger, their absence never lost.
Through the rivers' gentle flow, and the mountains' silent cry,
Their spirits dance in moonlight, beneath the endless sky.
Though taken from this earth, their presence still remains,
In every leaf that rustles, in every gentle refrain.
We honor their existence, their stories left unsaid,
With solemn hearts we gather, to remember those who've fled.
On this awareness day, we must vow to never rest,
Until every missing sister finds her soul justice and truth caressed. ,
mournful after image, north american indigenous women themes, double exposure, memories in the back of her mind, memories echo image, echo image, refection, sidelit, noise offset,  <lora:add-detail-xl:1>  candid photography, Getty Images quality photograph, sad but warm endearing photograph contrasted by melancholy terror and regret , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    perfect colour photograph of [a gloomy town with (Victorian-inspired architecture), (cobblestone streets), (ornate lampposts), (ivy-covered buildings create an eerie yet enchanting atmosphere), (obsidian towers in the distance) , (people in sleek goth clothing with intricate silver jewelry and goth makeup), ((macabre art), and (Tim Burton inspired graffiti) adorns the walls)), (Quirky boutiques and storefronts selling occult-themed items), (avant-garde cafes), (cinemas playing vampire films)],
BREAK,
Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>>
((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm)
[ realisticvision-negative-embedding , 8k, uhd , photograph, Kodak Motion Picture Film Style ]
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    photograph of a suburban house which is seen ((behind it's front yard) (the house's yard includes ((winding (dark stone) pathway)), ((the house's yard is bordered by (low, textured walls))), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom further from the house)), ((a trellis is between the house and the viewer (the trellis is draped in climbing vines creating a canopy, casting varied textures and patterns on the ground below)), ((in a secluded corner of the house's yard, (a very small and very unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer))
<< BREAK >>
((outdoors), (old west), (The Devil's Saloon backdrop),
[ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
    [Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), (some smaller, domed structures and an alien spaceport show us glimpses of Yautja predator technology and culture within), (the city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) ,
[alien militaristic-hunter themed, 32k photograph, uhd,]
realisticvision-negative-embedding, epiCNegative
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    full-length photograph of ((A distant disembodied skull/ huge skull only the skull unsupported ((with typical circus-clown makeup), (the skull's face is painted like a circus clown), the neckless and bodiless skull has a red smile painted around the mouth and blue painted around the eyes), fuzzy hair, and terrifying piercing eyes)), its (long snakelike tongue) flails in the wind, the bodiless/ neckless/ disembodied clownskull painted like a circus clown, is seen far in the distance, flying through space floating in the cosmos
Macabre surrealist photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
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