Aliciaw90
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    front shot, portrait photo of a 30 y. o British woman with red hair, natural skin, (freckles:0. 2), cozy interior, (cinematic, film grain:1. 1), showing a screen to camera

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    (worst quality, low quality, illustration, 3d, 2d, painting, cartoons, sketch), open mouth

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    photograph, analog style, real life, extremely beautiful, highly detailed image, And I think they're pieces of me you've never seen, Maybe she's just pieces of me you've never seen, cinematic lut
    photograph, analog style, real life, extremely beautiful, highly detailed image, Well, did she make you cry? Make you break down? Shatter your illusions of love? Well, is it over now? Do you know how? Pick up the pieces and go home Well, did she make you cry? Make you break down? Shatter your illusions of love? And now tell me, is it over now? Do you know how To pick up the pieces and go home? cinematic lut
    front shot, portrait photo of a 30 y.o British woman with red hair, natural skin, (freckles:0.2), cozy interior, (cinematic, film grain:1.1), showing a screen to camera
    photograph, analog style, real life, extremely beautiful, highly detailed image, blonde woman, Listen to the wind blow, watch the sun rise Running in the shadows, damn your love, damn your lies And if you don't love me now You will never love me again I can still hear you saying You would never break the chain cinematic lut
    photograph, analog style, real life, extremely beautiful, highly detailed image, blonde woman, Listen to the wind blow, watch the sun rise Running in the shadows, damn your love, damn your lies cinematic lut
    photograph, analog style, real life, extremely beautiful, highly detailed image, And I think they're pieces of me you've never seen, Maybe she's just pieces of me you've never seen, cinematic lut
    Dystopian dark ambient, one married woman, librarian , sedate pose, long ginger hair with bangs, natural makeup, captivating, cute smile, minimalist, sunken cheeks, slender frame:1.6, small breasts:1.2, detailed, painterly , (style of malcolm liepke:1.6)
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