disdaboomboss
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    (((ethereal dilapidated mansion, sits atop a vertical, impressively tall, free- standing, spire- shaped, natural rock formation, halfway across a gorge, the bottom of which is obscured in a dense fog, height implied, depth implied))), volumetric lighting, contour lighting, vibrant colors, 4k epic detailed, shot on kodak, 35mm photo, sharp focus, high budget, cinemascope, moody, epic, gorgeous, film grain, low key photography, dramatic lighting, intense emotions, cinematic feel, mysterious ambiance, emphasizing shape and form, creating depth, evoking drama, storytelling through shadows, professional technique, professional lighting, imaginative concept, creative styling, otherworldly aesthetic, surreal visual, captivating narrative, intricate detail, fantastical landscape, editorial storytelling, professional lighting, creating visual impact, evoking emotion, pushing creative boundaries, national geographic style

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    score_9, score_8, score_7_up, (ultra-detailed, hyperrealistic, scifi, cinematic concept art, high resolution), a central gathering area, inside, sovietpunk space settlement, impressive verticality, imagination-capturing details, hints of danger and mystery,
    a god-king, the shortening of the way, the time ritual, a soul famine spreading to thousands of worlds all across the galaxy, the arbiter powerless to stop it, dominus noctis, an age of chaos, but the winds of change bring news from on high, it is said that one of the elder champions has awakened once again, perhaps only whispers of a legend, but maybe...
    inkpunk, disco elysium, from above, (isometric view:0.9), resident evil village, cyberpunk collab, hypothetical dlc concept artwork, by aleksander roskov, josean figueroa, robert valley, and using an interwoven composition to foreshadow the plot, inferred based off of the following dlc description; "return to elysium, where revaschol is plunged into chaos, as a growing number of vampires are terrorizing the populace. In the neighbourhood of martinaise, many of the businesses have shuttered their doors, while the whirling-In-rags has hired security contractors to avoid having to do the same. our protagonist is Andrea Lafontaine, a resourceful detective from the harbourfront precinct 57, on assignment in martinaise to investigate a rapidly increasing number of missing persons cases in connection with the vampire epidemic. Andrea has interviewed many of the locals to little success. some speculate that the first vampires came out of the pale, but nobody really knows for sure. if one thing is certain, it's that somebody had better do something soon, or there might not 𝘣𝘦 anyone left.",vibrant painting
    (sapiosexual motif:1.2), ultra-precise details, professional quality, thought-provoking, arousing, fantastic scifi, fusion of aesthetics that combines both (Cyberpunk AND Gilded Age into a coherent hybridized variant of spectacular quality), taking on the form of a visual story, implied narrative exposition, with leading lines to direct the viewer's attention, epic, inspiring, midnight hour, secretive lovers in an extravagant hotel room, intentional psychological layering, tasteful nudity, provocative, artistic exploration of sensuality, self-exploration, pushing personal boundaries, transformation, changes, social pressure, a unique milieu, avant-garde behaviours, multiple women,
    excitations in the gap between the third and fourth spatial dimensions occurring along the 'w' axis, preceding the unprecedented automation of thought, a necessary bifurcation of events, after reneging on universal promises, (koyaanisqatsi angle), planescape torment, a soul stained by sin, diethyl ether administered as treatment,
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,
    ((multiple views)), exquisite high fashion photography, showcasing a tech-noir, scifi fashion concept, segmented 'smart'-tech cloak, in various weather conditions ((multiple views)), demonstrating its automatic self-adjusting retractable capability. The cloak adapts to the environment, resizing itself without any loss of comfort or extra fabric: on a hot sunny summer's day, it appears shorter in length, while on a cold winter morning, it extends to provide warmth, and in the rain, a retractable hood. The material, composed of a hypothetical hyper-carbon lattice, features a highly reflective, graphite color and hydrophobic properties, making it feel almost slippery to the touch. The photographs highlight the cloak's versatility, showcasing its ability to automatically reorganize its structure to the wearer's needs, manipulating principles of topological quantum field theory, to compress its structural properties in accordance with whatever weather conditions are in effect.
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,
    "axiomatic deconstruction of cascading platonic ideals, surmise to say our time is running out, reports of prototheistic factions gaining traction in the galactic colonies, god what a nightmare, nigh on ungovernable, humanity never evolved to exist in such bloated civilizations; we were meant to live in villages, not in settlements spread across the galaxy, with these hyperspace conflicts, ultra faction traders, faster-than-light travel, geo-political agendas, rogue artificial superintelligences running disinformation campaigns..." ((cinematic scifi concept-art, highly complex, interwoven visual storytelling)), CYBR-XL
    score_9, score_8, score_7_up, (ultra-detailed, hyperrealistic, scifi, cinematic concept art, high resolution), a central gathering area, inside, sovietpunk space settlement, impressive verticality, imagination-capturing details, hints of danger and mystery,
    resonance, dusk, dream, as you crest the steep hill, you see a gothic manor perched atop the rise, perhaps a place to stop to rest along the mountain trail, on the porch there's a woman in her mid twenties, pretty face, a smattering of freckles, curly brown hair, she gives you a warm welcome, and a smile that reveals her remarkably sharp incisors, a glimpse of her thigh through the slit in her homemade dress, foreshadowing a sexual encounter later on in the evening, you are utterly entranced by this seemingly chance encounter, dvr-hgh-fnt, dark, chiaroscuro, low-key
    "We sailed through the fog for an incalculable amount of time, for day and night were practically indistinguishable. When visibility began to finally improve, we found that we had emerged into a fjord-like network of waterways, that flowed between the ruins of a once great civilization. The ruins were not so far decayed as to diminish the scale of their grandeur, entire cities with bas relief detailing, formed by tunneling into mountainsides of the fjords, showcasing advancements in masonry that we could barely fathom. Though seemingly deserted, the place gave off the eerie feeling that we were constantly being watched, and once or twice I swear I saw a flicker of movement in my peripheral vision, as we sailed past the recessed archways that marked the ruins’ many moss-covered entrances.\" a scene inspired by the ruins of ancient valyria from game of thrones, as well as the landscapes present in the film kong skull island. additionally inspired by the emerald dream dimension of the chaos god yogg saron.
    ((multiple views)), exquisite high fashion photography, showcasing a tech-noir, scifi fashion concept, segmented 'smart'-tech cloak, in various weather conditions ((multiple views)), demonstrating its automatic self-adjusting retractable capability. The cloak adapts to the environment, resizing itself without any loss of comfort or extra fabric: on a hot sunny summer's day, it appears shorter in length, while on a cold winter morning, it extends to provide warmth, and in the rain, a retractable hood. The material, composed of a hypothetical hyper-carbon lattice, features a highly reflective, graphite color and hydrophobic properties, making it feel almost slippery to the touch. The photographs highlight the cloak's versatility, showcasing its ability to automatically reorganize its structure to the wearer's needs, manipulating principles of topological quantum field theory, to compress its structural properties in accordance with whatever weather conditions are in effect.
    centuries into the future, an imaginative fantastic scifi manufacturing facility for spacecrafts, a bright, cloudscape, clean lines, flat colors, implied height, whimsical,
    ((multiple views)), exquisite high fashion photography, showcasing a tech-noir, scifi fashion concept, segmented 'smart'-tech cloak, in various weather conditions ((multiple views)), demonstrating its automatic self-adjusting retractable capability. The cloak adapts to the environment, resizing itself without any loss of comfort or extra fabric: on a hot sunny summer's day, it appears shorter in length, while on a cold winter morning, it extends to provide warmth, and in the rain, a retractable hood. The material, composed of a hypothetical hyper-carbon lattice, features a highly reflective, graphite color and hydrophobic properties, making it feel almost slippery to the touch. The photographs highlight the cloak's versatility, showcasing its ability to automatically reorganize its structure to the wearer's needs, manipulating principles of topological quantum field theory, to compress its structural properties in accordance with whatever weather conditions are in effect.
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