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    watermark, low-quality, worst quality, signature, monochrome, 3d, censored, furry, animal, lores, worst quality, mosaic, Painting, drawing, cartoon, airbrush, cgi look, anime, cartoon, Obscured face, Distorted face, Blurred face, Hidden face, Unrealistic face, undetailed face, missing face, fantasy art, , artwork

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    More prompts from ExCivitan

    <lora:md2034:0.5> , paint splatter, 
poster_\(medium\) , The scrambled-egg brigade!, Never fear, the scrambled-egg brigade is on the scene to save the day!, emblem,  epic action scene, complex and detailed background scene, symmetry, full length photograph, (masterpiece:1.3), (best_quality:1.3), (ultra_detailed:1.3), 8k, extremely_clear, surrealism, (ultrarealistic:1.3), insane details, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, contrasting, beautiful, hdr, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate, Ellis-RealismBoost
    In the shadowy village where darkness reigns,
Houses loom tall, with eerie remains.
Gothic facades, with windows aglow,
Whispers of phantoms, in the eerie glow.
Each house tells a tale of terror and woe,
With creaking floors, and ghosts that flow.
But amidst the horror, one house stands plain,
A normal facade, devoid of strain.
Its windows shuttered, its doors closed tight,
But within its walls, a chilling sight.
For behind closed doors, a darkness dwells,
A horror unseen, in the depths it compels.
While ghosts haunt the streets, with mournful cries,
The true terror lurks, behind human eyes.
For in the house that seems so mundane,
Lies the heart of darkness, a soul in pain.
So beware the normal, in a village of fear,
For the true horror lies, where the humans leer.
In a world of ghosts, it's the humans who scare,
In the house that seems, like it doesn't care.
 gritty , cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset,  <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    detailed personification of directionless-existential-drift,
very detailed background
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    detailed personification of directionless-existential-drift,
very detailed background
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>>
((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm)
[ realisticvision-negative-embedding , 8k, uhd , photograph]
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit,  (masterpiece from an evil dimension), (pure depraved evil crawls toward the viewer), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    In the shadowy village where darkness reigns,
Houses loom tall, with eerie remains.
Gothic facades, with windows aglow,
Whispers of phantoms, in the eerie glow.
Each house tells a tale of terror and woe,
With creaking floors, and ghosts that flow.
But amidst the horror, one house stands plain,
A normal facade, devoid of strain.
Its windows shuttered, its doors closed tight,
But within its walls, a chilling sight.
For behind closed doors, a darkness dwells,
A horror unseen, in the depths it compels.
While ghosts haunt the streets, with mournful cries,
The true terror lurks, behind human eyes.
For in the house that seems so mundane,
Lies the heart of darkness, a soul in pain.
So beware the normal, in a village of fear,
For the true horror lies, where the humans leer.
In a world of ghosts, it's the humans who scare,
In the house that seems, like it doesn't care.
 gritty , cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset,  <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    [(very wideangled photograph) , (panoramic photograph), (deco-photograph including extremely sharp and rigid lines, every structure exhibits matching geometry), (([background:] (Shiny black, extremely tall, imposing), (central office tower flanked by perfectly symmetrical wings or side buildings) , (rigid oppressively symetrical, evenly balanced, layered facades: tiered layers in the building design, with each successive layer receding slightly)), (([midground/ centerstage:] black and grey, tall thin metalic houses and shops with the same symetry and geometry as the buildings in the background)), (([foreground / closest to viewer:] (Sleek symetrical robots project) (low opacity holographic advertisements in the air above the streets and pavements), (people have holographic halos and very low opacity beams of light filled with datastreams, projected from above, into their heads), 
<<BREAK>>
[(Frame shots so that strong diagonal lines lead towards the central, tallest parts of the buildings, reinforcing their imposing nature),(themes of dystopia and cyberpunk styles), (low upward diagonally angled spotlighting), double exposure, multiple exposure, layers overlayed,) 
epiCNegative, epiCRealism, Photographer Martin Kimbell Style ]
    In the shadowy village where darkness reigns,
Houses loom tall, with eerie remains.
Gothic facades, with windows aglow,
Whispers of phantoms, in the eerie glow.
Each house tells a tale of terror and woe,
With creaking floors, and ghosts that flow.
But amidst the horror, one house stands plain,
A normal facade, devoid of strain.
Its windows shuttered, its doors closed tight,
But within its walls, a chilling sight.
For behind closed doors, a darkness dwells,
A horror unseen, in the depths it compels.
While ghosts haunt the streets, with mournful cries,
The true terror lurks, behind human eyes.
For in the house that seems so mundane,
Lies the heart of darkness, a soul in pain.
So beware the normal, in a village of fear,
For the true horror lies, where the humans leer.
In a world of ghosts, it's the humans who scare,
In the house that seems, like it doesn't care.
 gritty , themes of unsettling contrast in a community, cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset,  <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body,  large view, ((Dorothy Gale) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons))
[horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body,  large view, ((Dorothy Gale) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons))
[horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    ((In the realm of algorithms, where data flows,
The Flying Dutchalgorithm boldly goes.
With wings of code, it soars through the night,
A digital specter, a beacon of light.
Through bytes and bits, it charts its course,
Navigating the digital universe, with force.
Its algorithms sharp, its calculations keen,
As it traverses the cyber realm, unseen.
Through clouds of data, it glides with grace,
A master of efficiency, in every space.
Its wingspan wide, its movements swift,
As it sifts through information, to uplift.
In the digital expanse, it reigns supreme,
A symbol of progress, a digital dream.
With every calculation, it blazes a trail,
Through the infinite cosmos, without fail.
So let us marvel at the Flying Dutchalgorithm's flight,
As it charts new territories, in the digital night.
For in its journey, we find inspiration anew,
In the endless possibilities, of what it can do!)), 
ghostly echo image, echo image, sidelit, masterpiece from a different dimension, cinematic, noise offset,  <lora:add-detail-xl:1>  candid photography, Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    Photograph of ((3 being) ((1st a radiant, ethereal almost entirely made of light, an otherworldly glow), (in a seamless, flowing robe of white light, which shimmers and changes colors with movement, creating an iridescent effect), (the face is serene and androgynous, features are soft yet defined, the eyes are large and luminous), (surrounding it is a halo of soft, golden light that extends outward, blending into the surroundings)), ((2nd is made of both light and energy), (with a clearly defined body), ( wearing more elaborate, intricate patterns of light woven into fabric, resembling a celestial armor, the colors are primarily blue and silver), (face is sharper, with high cheekbones, the eyes are penetrating), (it is surrounded by a vibrant, pulsating blue aura), ((3rd Form, the most complex and multifaceted, with constantly shifts and changes, blending elements of light, shadow, and energy), (wearing a mix of dark and light, with intricate, fractal-like patterns that shift and move, deep purples and blacks to shimmering golds and whites), (the face is ambiguous, with features that change depending on the angle and light, the eyes are deep and dark), (it has an aura that fluctuates between darkness and light, creating a mesmerizing, kaleidoscopic effect), (the aura extends and contracts, reflecting the form's fluid and transformative nature),
[low wide angle photograph using a 50mm lens, f/1.8, slow shutter speed, high iso]
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    In the twilight's shroud, where shadows dance,
Lies a garden of eerie and deadly plants .
Beneath the moon's pale, ghostly light,
Where nightmares bloom in the dead of night.
Trees twist and coil, their branches writhe,
Like vipers in the deadliest hive.
Their leaves, a tapestry of despair,
Whisper secrets of the dark's cruel snare.
Flowers of crimson, with petals like knives,
Blossom where death and darkness thrives.
Their scent, of poison mist, that fills the air,
Luring lost souls, to their deadly care.
Beneath the earth, roots twist and claw,
Grasping at spirits with a silent draw.
Among the graves, where whispers hiss,
Echoes the sorrow of gloom's soft kiss.
In the center, a fountain flows,
With waters black as midnight's woes.
Its streams, a mirror of the abyss,
Reflecting the souls it longs to twist.
In this garden, where nightmares dwell,
A symphony of darkness, a haunting spell.
For those who dare to roam its maze,
Shall find their souls trapped in its gaze.
<<BREAK>>
Perfect surrealist photograph , psychologically disturbing,
((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, very detailed background, Experimental lighting, horror afterimage, ((evil garden echo image)), (echo image),  ((haunting multiple exposures)), (( long exposures)), ((ghastly garden phantom blur)), realisticvision-negative-embedding,  epiCRealism ))
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