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    ugly, tiling, poorly drawn hands, poorly drawn feet, poorly drawn face, out of frame, extra limbs, disfigured, deformed, body out of frame, blurry, bad anatomy, blurred, watermark, grainy, signature, cut off, draft, deformed, noisy, blurry, distorted, out of focus, bad anatomy, extra limbs, poorly drawn face, poorly drawn hands, missing fingers, nudity, nude,

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    Surrealistic, Beautiful, dorothy, ruby red shoes, by Joseph-Marie Vien and alphonse mucha and james gilleard, dark fantasy, digital painting, Epic, cinematic, brilliant, stunning, intricate, minimalism, meticulously detailed, intricately detailed, dramatic, atmospheric
    Cyberpunk digital art. Close-up. A person holding a coin with a glowing Q symbol, set against a futuristic cityscape at night. Low-angle shot. Neon-lit, high-tech aesthetic reminiscent of Syd Mead's designs. Glowing circuitry patterns on the coin. Reflections on polished metal surfaces. Vibrant purple and blue hues, with neon green accents. High contrast lighting with deep shadows. Best quality, incredibly detailed, 8k resolution, cinematic film still, futuristic atmosphere, sleek lines, digital painting,
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    Gothic Surrealism. Close up. A dark lord's face with a snake-like face and robes, standing in a dimly lit, eerie graveyard. Macro. Highly detailed, oil painting style with bold brushstrokes, a la H.R. Giger. Eyes glowing with an otherworldly green light, black hooded robes with intricate, mystical symbols. Skulls and bones scattered around the graveyard. Moody, dark color scheme with splashes of emerald green and purple. Masterpiece, high contrast, cinematic, mysterious atmosphere, ominous lighting.
    Two individuals, representing 'me' and 'you', depicted from the very beginning, within a steamfunk setting as seen through an anamorphic lens, as if put together by a 'softly woven distortion sculptor' using a technique like rusticated paper tole. Following this, an overwhelming event pushes the narrative towards a 'laminar typewritten textile sculptor' invoking the name 'Hermetic ThermoFluid', implying something hidden or secretive about the forces at play. All the while the ambient sounds bleed through the walls, a woman's crying echoing in the background, a crisp work by a 'disruptively interpretative artist' known for their 'anamorphosis' style. The response of the presumed observers 'we didn't care' adds feelings of detachment and indifference. Amidst this disquieting scene, there is an element of 'beautiful danger' lurking. Finally, the resolution is not ideal; it's chalked up to just a 'glitch'
    Concept Photo, A 1980's Video Game Arcade Cabinet, a bright blue background. The Arcade Game presents a smooth scale texture, and the label is also a smooth scale texture, which is very realistic, 3D Game Cinematic Feel, Epic 3D Videogame Graphics, Intricately Detailed, 8K Resolution, Dynamic Lighting, Unreal Engine 5, CryEngine, Trending on ArtStation, HDR, 3D Masterpiece, Unity Render, Perfect Composition, seen from the front with a random game playing
    Surreal, Cenetered, A macro view of a honeycomb's intricate, repeating hexagonal cells, with warm golden light illuminating the delicate, waxy texture, inspired by the detailed, high-contrast photography of Andreas Gursky, the vibrant colors of Mark Rothko's rectangular fields, and the intricate patterns of M.C. Escher's tessellations, sheen of flux
    art by David Aja & Simon Bisley & Henry Asencio & Derek [somebody] & Russ Mills, portrait of copper-haired female gamer looking around in awe, standing within neon-lit tron uprising city, leds and neon-framed structures --ar 3:4 --stylize 25 --v 6.1
    cyberpunk style digital art | synthwave | retrowave | sci-fi | cyberpunk Knight Rider Car David Hasselhoff", David Hasselhoff as a renegade hacker in a dystopian cityscape, leaning against a sleek Knight Rider car transformed into a futuristic, synthwave-inspired speed demon with neon-lit panels and angular retrofuturistic details, amidst a rain-soaked highway, vibrant holographic advertisements and giant digital screens reflecting off the wet pavement, in a style inspired by Syd Mead and Daniel Dociu with a dash of Ash Thorp's vibrant retrowave aesthetic and the dark gritty undertones of Blade Runner.
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