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    ((Film poster including a dynamic photograph from a colorized, 1939 horror- western film (The most ultra- angry enraged cactus in the old west)), ((The most ultra- angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra- angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer)) [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1. 37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black- and- white film, later combined to create the full- color image appearance) ]

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    nsfw, painting, drawing, sketch, illustration, cgi style, airbrushed, asian, (blended characters), (mixed characters), (solo), (single), (merged character) , composite, (altered prompt), (ignore prompt), (poor prompt adherence)

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    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body, large view, ((Dora the Explorer) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons)) [horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    Darkness moves, where arcane glyphs glow, Layered paths through night unfolds, Incenses swirl and candles cast their light, Drawing the seeker far into the sacred rite. Incantations, gestures, symbolic treasures A circle forms, the astral veil begins to thin, Conjured spirits weave in their silent dances, The soul ascends, through realms unseen, unknown. Spirits raised to skies, where starsigns play, An altar below set with relics, stones, and herbs, The air thick with the scent of ancient spells, Binding these seekers to the cosmic flow. Eyes within, the vision sharp and clear appears, An endless bridge of light extending far beyond, Where forms dissolve in true unity's embrace, These spirits merge with the source of all. In this domain, where boundaries are lost, The essence pure, untouched by mortal grasp, Transcending time, the self dissolves in One, A union forged in fire, light, and ash. The journey ends, yet never truly done, For in the merging, all is found, begun, In darkness and in light, the magick flows, The seeker and the Divine, now as one. [ surrealism photograph, double exposures, cinematic photo, realisticvision-negative-embedding, epiCNegative ]
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit, (masterpiece from an evil dimension), (pure depraved evil crawls toward the viewer), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal horrifying shadow spectre) (is hovering, levitating, flying high) (menacingly , terrifyingly, up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    Photograph of ((Gary Coleman) (in the role of) (Gandalf)) ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (high downward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    [Very high angled aerial photograph], ((a vast alien city spreads through a nightmarish cavernscape), (organic, biomechanical architecture) , (the city is embedded in a cavernous, dimly lit environment, with everything covered in a slimey dark, chitinous substance that gives everything a slick, glistening appearance), (central to the city are massive, hive-like buildings, their surfaces riddled with pulsating, vein-like ridges and openings) (these hivebuildings are connected by an intricate network of tunnels and passageways, resembling the interior of a living organism), (throughout the city, larger chambers are visible lined with countless alien eggs, guarded by terrifying sentinel creatures), (pools of dark, viscous liquid dot the cavernscape, reflecting the eerie bioluminescence emanating from various organic structures, casting a sickly green glow), (the city is busy with movement, as the aliens scuttle along the surfaces, maintaining and expanding it), (ar the city's edges heavily fortified areas serve as breeding grounds and defensive positions), (with vile alien warriors ready to fend off any intruders), [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    photograph of ((a suburban house which is seen behind it's front yard) which includes ((winding (dark stone) pathway)), ((the yard is bordered by (low, textured walls)), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom)), (a trellis draped in climbing vines creates a canopy, casting varied textures and patterns on the ground below), ((in a secluded corner, (a very small and unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
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    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    ([(8k, uhd, wideangledfisheeyelens photograph)], ((Gigantic_Donald_Trump_Kaiju) (/ a gigantic being that looks exactly like Donald Trump) (is stomping through Las Vegas, destroying everything, and eating cars)) <<BREAK>> ((crowds of people are fleeing, running away from (the gigantic Donald_Trump_Kaiju)) [((double exposures) (candid, crooked angle, photograph) ,(surrealism photograph), (best photography) (ornately detailed), (very detailed background) ( Photographer Martin Kimbell Style, realisticvision-negative-embedding , film photography style)]
    [Very high angled, downward looking, aerial photograph], ((a vast alien city spreads through a nightmarish cavernscape), (organic, biomechanical architecture) , (the city is embedded in a cavernous, dimly lit environment, with everything covered in a slimey dark, chitinous substance that gives everything a slick, glistening appearance), (central to the city are massive, hive-like buildings, their surfaces riddled with pulsating, vein-like ridges and openings) (these hivebuildings are connected by an intricate network of tunnels and passageways, resembling the interior of a living organism), (throughout the city, larger chambers are visible lined with countless alien eggs, guarded by terrifying sentinel (insectsquidalien soldiers), (pools of dark, viscous liquid dot the cavernscape, reflecting the eerie bioluminescence emanating from various organic structures, casting a sickly green glow), (the city is busy with movement, as the (insectsquid aliens) scuttle along the surfaces, maintaining and expanding it), (ar the city's edges heavily fortified areas serve as breeding grounds and defensive positions), (with vile (insectsquidaliens ready to fend off any intruders), [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit, (masterpiece from an evil dimension), (pure depraved evil crawls toward the viewer), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    Beautifully horrifying, joyfully melancholic, excitedly bleak, abject ideas in an abstract world, mist, plant nightmares in the souls of dreamers , evil holy emblems, ((surrealist slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism ))
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