((Film poster including a dynamic photograph from... -

((Film poster including a dynamic photograph from a colorized, 1939 horror film called "Slut Cop" )), [(Cinematic still), (photograph from a 1939 film) (using 35mm film stock), (using fixed focus prime lenses), (1.37:1 aspect ratio), ((colorized with 1939 style Technicolor) (three strip technicolor: capturing the red, green, and blue components of the scene on three separate strips of black-and-white film, later combined to create the full-color image appearance))]

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nsfw, painting, drawing, sketch, illustration, cgi style, airbrushed, asian, (blended characters), (mixed characters), (solo), (single), (merged character) , composite, (altered prompt), (ignore prompt), (poor prompt adherence)

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More prompts from ExCivitan

((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]

Fuck civitai!! Now it has taken about 100 buzz in exchange for JSON errors, images weren't even generated and no refund given. Since implimenting buzz for generation the ai has declined drastically, the only thing it seems to know how to produce consistently is pron now. We have to try many more times than before to generate anything resembling the prompts. Don't be a sucker, don't pay for a product that's getting worse. They need to show that it works and gets better , then we will pay. Complain. They need to refund this month and then try again with a still functional buzz for generation program.

((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]

((In the abyss of the Underdark's embrace,
Where shadows dance in eternal grace,
Lies a city of darkness, sprawling wide,
Where the sun's warm touch can never abide.
Towering spires of obsidian rise,
Piercing the blackened, starless skies,
Their jagged edges cutting the night,
A testament to the drow's might.
Beneath them, streets wind and twist,
A labyrinth where secrets persist,
Carved from the very stone below,
In patterns only the drow know.
Glowing crystals, a haunting hue,
Cast their eerie light, a spectral view,
Revealing arches and columns grand,
In a city built by drow hand.
But shadows lurk in every nook,
In alleys where whispered secrets took,
And in the depths of cavernous halls,
Where treachery waits for those who fall.
Yet amid the darkness, beauty lies,
In murals that tell of ancient skies,
And in the delicate webs that adorn,
The silent streets where shadows mourn.
For this is a city of darkness and light,
Where the drow dance in the depths of night,
A testament to their craft and guile,
In a world where shadows always smile.)),
((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))

A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background,
epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve

Photograph of ((Gary Coleman) (in the role of) (Gandalf))
((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (high downward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))

Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)),
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style

(voluptuous woman version of Ash Ketchum holding pok ball toward the viewer!))
Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism

Unholy photograph, ((ONLY USE, (muted purples, vaporous greys, faint blues, and crimson )) , (paranormal surrealism), ((bypassing rationality)), (ghastly after image), (frightening double exposures), (terrifying echo image), ((echo image)), (gothic cinematic surrealism), sidelit, (masterpiece from evil), film grain, noise offset, (Viona Ielegem quality photograph), (macabre surrealist horror photograph), [themes of menacing, lurking, evil, and memory] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism

Beautifully horrifying, joyfully melancholic, excitedly bleak, abject ideas in an abstract world, mist, plant nightmares in the souls of dreamers , evil holy emblems, ((surrealist slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism ))

In the twilight's shroud, where shadows dance,
Lies a garden of eerie and deadly plants .
Beneath the moon's pale, ghostly light,
Where nightmares bloom in the dead of night.
Trees twist and coil, their branches writhe,
Like vipers in the deadliest hive.
Their leaves, a tapestry of despair,
Whisper secrets of the dark's cruel snare.
Flowers of crimson, with petals like knives,
Blossom where death and darkness thrives.
Their scent, of poison mist, that fills the air,
Luring lost souls, to their deadly care.
Beneath the earth, roots twist and claw,
Grasping at spirits with a silent draw.
Among the graves, where whispers hiss,
Echoes the sorrow of gloom's soft kiss.
In the center, a fountain flows,
With waters black as midnight's woes.
Its streams, a mirror of the abyss,
Reflecting the souls it longs to twist.
In this garden, where nightmares dwell,
A symphony of darkness, a haunting spell.
For those who dare to roam its maze,
Shall find their souls trapped in its gaze.
<<BREAK>>
Perfect surrealist photograph , psychologically disturbing,
((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, very detailed background, Experimental lighting, gothic art, realisticvision-negative-embedding, epiCRealism ))

In the stillness of the land, where whispers fade to mist,
A somber shadow lingers, where the lost ones gently kissed.
Their names upon the wind, like petals softly tossed,
In memory they linger, their absence never lost.
Through the rivers' gentle flow, and the mountains' silent cry,
Their spirits dance in moonlight, beneath the endless sky.
Though taken from this earth, their presence still remains,
In every leaf that rustles, in every gentle refrain.
We honor their existence, their stories left unsaid,
With solemn hearts we gather, to remember those who've bled.
On this MMIW awareness day, we must vow to never rest,
Until every missing sister finds her soul, justice and truth caressed.
gritty , themes of unsettling contrast in community, cinematic sadness and hope, indigenous echo image, cinematic photograph, noise offset, <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism

A vast chamber with a domed ceiling has scenes of cosmic battles and celestial conquests, mysterious symbols and glyphs line the walls, casting strange shadows) at the center of the hall (a long, obsidian table) stretches out, (adorned with intricate carvings of serpents and ancient symbols), around the table, (reptilianhumanoids with glistening scaled skin) sit in high-backed chairs, the reptilianhumanoids wear (regal robes crafted from shimmering fabrics in hues of iridenscent purple and blue), (Ornate jewelry) adorns their (long slender fingers and necks), glinting with gemstones that catch the light, (their cold and calculating eyes), peer out with an air of ancient wisdom and power.,
<<BREAK>> ,
((In the background, hooded attendants))
Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism

$Photograph of ((3 beings) ((1st a radiant, ethereal almost entirely made of light, an otherworldly glow), (in a seamless, flowing robe of white light, which shimmers and changes colors with movement, creating an iridescent effect), (the face is serene and androgynous, features are soft yet defined, the eyes are large and luminous), (surrounding it is a halo of soft, golden light that extends outward, blending into the surroundings)), ((2nd is made of both light and energy), (with a clearly defined body), ( wearing more elaborate, intricate patterns of light woven into fabric, resembling a celestial armor, the colors are primarily blue and silver), (face is sharper, with high cheekbones, the eyes are penetrating), (it is surrounded by a vibrant, pulsating blue aura), ((3rd Form, the most complex and multifaceted, with constantly shifts and changes, blending elements of light, shadow, and energy), (wearing a mix of dark and light, with intricate, fractal-like patterns that shift and move, deep purples and blacks to shimmering golds and whites), (the face is ambiguous, with features that change depending on the angle and light, the eyes are deep and dark), (it has an aura that fluctuates between darkness and light, creating a mesmerizing, kaleidoscopic effect), (the aura extends and contracts, reflecting the form's fluid and transformative nature), [low wide angle photograph using a 50mm lens, f/1.8, slow shutter speed, high iso]$

POV: Strong fisheye-lens photograph (intense fisheye-view photograph), of an icecream shop during The Purge!
,
:BREAK:
,
((Themes of vintage 1950's icecream shop contrasted by themes of James DeMonaco's dystopian political thriller The Purge))
(( fisheye photograph includes blood splatters, the word "Purge" clearly seen, experimental low upward looking angles, cinematic, perfect composition, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism ))

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