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    ((On the right, The devil is standing on a soapbox wearing a priest's smock and a white stole (narrow strip of cloth, adorned with religious symbols) over his shoulders), he has horns and a charismatic smile), (he at an Urban sidewalk corner), (with one hand the devil is holding a sign (the sign has the very easily seen and very legible text "The Devil's That way" printed on the front and under the words "The Devil's That Way" is an arrow pointing to the left)), his other arm and index finger are pointed horizontally to the left)), <<BREAK>> (Center and left a group of average looking Christians is facing left (away from the devil) with expressions of outrage and fear)) [uhd, 8k photograph, (highangle photograph looking down and across a city street), ((shot using (Tilted Angles (Dutch Angles): use of tilted camera angles) and a fisheye lens))]

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    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit, (masterpiece from an evil dimension), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal horrifying shadow spectre) (is hovering, levitating, flying high) (menacingly , terrifyingly, up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    photograph of ((a suburban house which is seen behind it's front yard) which includes ((winding (dark stone) pathway)), ((the yard is bordered by (low, textured walls)), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom)), (a trellis draped in climbing vines creates a canopy, casting varied textures and patterns on the ground below), ((in a secluded corner, (a very small and unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    Beautifully horrifying, joyfully melancholic, excitedly bleak, abject ideas in an abstract world, mist, plant nightmares in the souls of dreamers , evil holy emblems, ((surrealist slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism ))
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    8k, uhd , dynamic action photograph ((The most ultra-angry enraged cactus in the old west)), ((The most ultra-angry enraged cactus) is wearing (a black cowboy hat), (a thick moustache), and (a bandit's mask)), ((The most ultra-angry enraged cactus), is also pointing a very detailed and well defined shiny silver revolver towards the viewer)) << BREAK >> ((outdoors), (old west), (The Devil's Saloon backdrop), [ (intricately detailed), (very detailed background), (full-length photograph), (double-exposures), (alternate reality)]
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>> ((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm) [ realisticvision-negative-embedding , 8k, uhd , photograph]
    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body, large view, ((Dorothy Gale) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons)) [horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    photograph of a suburban house which is seen ((behind it's front yard) (the house's yard includes ((winding (dark stone) pathway)), ((the house's yard is bordered by (low, textured walls))), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom further from the house)), ((a trellis is between the house and the viewer (the trellis is draped in climbing vines creating a canopy, casting varied textures and patterns on the ground below)), ((in a secluded corner of the house's yard, (a very small and very unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    [Very high angled aerial photograph], ((a vast alien city spreads through a nightmarish cavernscape), (organic, biomechanical architecture) , (the city is embedded in a cavernous, dimly lit environment, with everything covered in a slimey dark, chitinous substance that gives everything a slick, glistening appearance), (central to the city are massive, hive-like buildings, their surfaces riddled with pulsating, vein-like ridges and openings) (these hivebuildings are connected by an intricate network of tunnels and passageways, resembling the interior of a living organism), (throughout the city, larger chambers are visible lined with countless alien eggs, guarded by terrifying sentinel creatures), (pools of dark, viscous liquid dot the cavernscape, reflecting the eerie bioluminescence emanating from various organic structures, casting a sickly green glow), (the city is busy with movement, as the aliens scuttle along the surfaces, maintaining and expanding it), (ar the city's edges heavily fortified areas serve as breeding grounds and defensive positions), (with vile alien warriors ready to fend off any intruders), [alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background] realisticvision-negative-embedding, epiCNegative
    [Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), (some smaller, domed structures and an alien spaceport show us glimpses of Yautja predator technology and culture within), (the city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) , [alien militaristic-hunter themed, 32k photograph, uhd,] realisticvision-negative-embedding, epiCNegative
    detailed personification of directionless-existential-drift, very detailed background
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>> ((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm) [ realisticvision-negative-embedding , 8k, uhd , photograph, Kodak Motion Picture Film Style ]
    photograph of a suburban house which is seen ((behind it's front yard) (the house's yard includes ((winding (dark stone) pathway)), ((the house's yard is bordered by (low, textured walls))), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom further from the house)), ((a trellis is between the house and the viewer (the trellis is draped in climbing vines creating a canopy, casting varied textures and patterns on the ground below)), ((in a secluded corner of the house's yard, (a very small and very unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    <lora:md2034:0.5> awe inspiring, interest arousing poster_\(medium\), Full length, 2 meters distance away, distance shot, full body, whole body, perfect photograph, vivid detail, ((The sudden breathy delights of an unexpected shoulder carress Whereon, burdens tend to take their rest, Are the shooting of a star across night skies, Where rested the hopes of forgotten lies.)) , emblem,(simple_background:1.3), symmetry,(no_humans:1.3),, (masterpiece:1.3), (best_quality:1.3), (ultra_detailed:1.3), 8k, extremely_clear, realism, (ultrarealistic:1.3), insane details, perfect composition, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, colorful, beautiful, hdr, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate,
    In the shadowy village where darkness reigns, Houses loom tall, with eerie remains. Gothic facades, with windows aglow, Whispers of phantoms, in the eerie glow. Each house tells a tale of terror and woe, With creaking floors, and ghosts that flow. But amidst the horror, one house stands plain, A normal facade, devoid of strain. Its windows shuttered, its doors closed tight, But within its walls, a chilling sight. For behind closed doors, a darkness dwells, A horror unseen, in the depths it compels. While ghosts haunt the streets, with mournful cries, The true terror lurks, behind human eyes. For in the house that seems so mundane, Lies the heart of darkness, a soul in pain. So beware the normal, in a village of fear, For the true horror lies, where the humans leer. In a world of ghosts, it's the humans who scare, In the house that seems, like it doesn't care. gritty , cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset, <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
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