the curves of her body, and an awe-inspiring... -

the curves of her body, and an awe- inspiring fictional starship, partially buried, snow drifts, midnight hour, ultra- detailed, high definition, photoillustration, absurdres

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resonance, dusk, dream, fantastic log cabin, stop to rest along the mountain trail, a pretty face, a smattering of freckles, curly brown hair, a warm welcome, a glimpse of her thigh through the slit in her homemade dress, foreshadowing a sexual encounter later on in the evening, pleasant thoughts, soothing rejuvenation, much appreciated,

(sapiosexual motif:1.2), ultra-precise details, professional quality, thought-provoking, arousing, fantastic scifi, fusion of aesthetics that combines both (Cyberpunk AND Gilded Age into a coherent hybridized variant of spectacular quality), taking on the form of a visual story, implied narrative exposition, with leading lines to direct the viewer's attention, epic, inspiring, midnight hour, secretive lovers in an extravagant hotel room, intentional psychological layering, tasteful nudity, provocative, artistic exploration of sensuality, self-exploration, pushing personal boundaries, transformation, changes, social pressure, a unique milieu, avant-garde behaviours, multiple women,

a burlesque dancer's dressing room within a crystal cavern; the cavern wall is dark onyx or obsidian, a pair frosted-glass marble sconces on the walls, on either side of the dressing room's vanity mirror. dark,

cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,

cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', horizontal skyscrapers, megastructure, death riding on a pale horse, the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view, polished, linear light, hideaki anno corpo world,

score_9, score_8, score_7_up, (ultra-detailed, hyperrealistic, scifi, cinematic concept art, high resolution), a central gathering area, inside, sovietpunk space settlement, impressive verticality, imagination-capturing details, hints of danger and mystery,

resonance, dusk, dream, hiking through the carpathian mountains, as you crest a steep hill, you look to your left and see a small log cabin not even five paces from the trail, perhaps a place to stop to rest after a long journey, sitting on the front porch of the cabin, (there's a woman in her late twenties, pretty face, a smattering of freckles, curly brown hair, she gives you a warm welcome, and a wolfish smile that reveals her remarkably sharp incisors), a glimpse of her thigh through the slit in her homemade dress foreshadowing a sexual encounter later on in the evening, you are utterly entranced by this seemingly chance encounter, dvr-hgh-fnt, dark, chiaroscuro, low-key, 70s erotic horror,

a god-king, the shortening of the way, the time ritual, a soul famine spreading to thousands of worlds all across the galaxy, the arbiter powerless to stop it, dominus noctis, an age of chaos, but the winds of change bring news from on high, it is said that one of the elder champions has awakened once again, perhaps only whispers of a legend, but maybe...

$"We sailed through the fog for an incalculable amount of time, for day and night were practically indistinguishable. When visibility began to finally improve, we found that we had emerged into a fjord-like network of waterways, that flowed between the ruins of a once great civilization. The ruins were not so far decayed as to diminish the scale of their grandeur, entire cities with bas relief detailing, formed by tunneling into mountainsides of the fjords, showcasing advancements in masonry that we could barely fathom. Though seemingly deserted, the place gave off the eerie feeling that we were constantly being watched, and once or twice I swear I saw a flicker of movement in my peripheral vision, as we sailed past the recessed archways that marked the ruins’ many moss-covered entrances.\" a scene inspired by the ruins of ancient valyria from game of thrones, as well as the landscapes present in the film kong skull island. additionally inspired by the emerald dream dimension of the chaos god yogg saron.$

anamorphic cinematic film still, scifi, neo-noir, a smoky fantasy future multilevel cabaret club, located somewhere within millsport city, the ambience and chiaroscuro lighting style create an alluring sense of mystery and wonder, with, verticality, and depth, so as to give off the impression that many tales could be told about such a locale.

"axiomatic deconstruction of cascading platonic ideals, surmise to say our time is running out, reports of prototheistic factions gaining traction in the galactic colonies, god what a nightmare, nigh on ungovernable, humanity never evolved to exist in such bloated civilizations; we were meant to live in villages, not in settlements spread across the galaxy, with these hyperspace conflicts, ultra faction traders, faster-than-light travel, geo-political agendas, rogue artificial superintelligences running disinformation campaigns..." ((cinematic scifi concept-art, highly complex, interwoven visual storytelling)), CYBR-XL

inkpunk, disco elysium, from above, (isometric view:0.7), resident evil village, cyberpunk collab, hypothetical dlc concept artwork, by aleksander roskov, josean figueroa, lothar von seeback, and using an interwoven composition to foreshadow the plot, inferred based off of the following dlc description; "return to elysium, where revaschol has become the stuff of nightmares, as a growing number of vampires have begun terrorizing the populace. In the neighbourhood of martinaise, many of the businesses have shuttered their doors, while the hostel cafeteria whirling-In-rags, has hired security contractors to avoid having to do the same. our protagonist is a woman named Andrea Lafontaine, a resourceful detective from the harbourfront precinct 57, who is on assignment in martinaise to investigate a rapidly increasing number of missing persons cases in connection with the vampires. Andrea has interviewed many of the locals, and even some vampires. some speculate that the first vampires came out of the pale, but nobody really knows for sure. if one thing is certain, it's that somebody had better do something soon, or there might not 𝘣𝘦 anyone left.",vibrant painting

resonance, dusk, dream, hiking through the carpathian mountains, as you crest a steep hill, you look to your left and see a small log cabin not even twenty paces from the trail, perhaps a place to stop to rest after a long journey, sitting on the front porch of the cabin, there's a woman in her late twenties, pretty face, a smattering of freckles, curly brown hair, she gives you a warm welcome, and a smile that reveals her remarkably sharp incisors, a glimpse of her thigh through the slit in her homemade dress, foreshadowing a sexual encounter later on in the evening, you are utterly entranced by this seemingly chance encounter, dvr-hgh-fnt, dark, chiaroscuro, low-key

an entity of immeasurable will, disguised to blend into the crowd, just another one of the human servants, yet concealing a level of power that could defeat the oppressors, a one-man army, a usurper, able to withstand the wrath of gods, essentially unkillable . "at five o'clock, they'll take me to the gallows pole, the sands of time, for me, are running low..."

((extreme low angle shot)), ((looking through a crack in the floorboards of a wooden peasant's house)), japan, 1700s, fictional horror, a man wearing an Onryo mask stands in the doorway (backlit), as fires burn out of control out of view somewhere behind him, you are hiding in the cellar beneath the floorboards trying to hold your breath, hoping he doesn't inspect your house further,

the subject in simulation has become aware of the conditions of their existence, panic in the control room suggests that the subject has gone off the grid, a ghost in the machine, a reality hacker

((multiple views)), exquisite high fashion photography, showcasing a tech-noir, scifi fashion concept, segmented 'smart'-tech cloak, in various weather conditions ((multiple views)), demonstrating its automatic self-adjusting retractable capability. The cloak adapts to the environment, resizing itself without any loss of comfort or extra fabric: on a hot sunny summer's day, it appears shorter in length, while on a cold winter morning, it extends to provide warmth, and in the rain, a retractable hood. The material, composed of a hypothetical hyper-carbon lattice, features a highly reflective, graphite color and hydrophobic properties, making it feel almost slippery to the touch. The photographs highlight the cloak's versatility, showcasing its ability to automatically reorganize its structure to the wearer's needs, manipulating principles of topological quantum field theory, to compress its structural properties in accordance with whatever weather conditions are in effect.

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