[ nighttime horror photograph ] (A stone well stands in the middle of an overgrown, neglected yard, its rim covered in thick black moss clinging to the stone) (A worn old wooden bucket hangs from a frayed rope, its bottom barely visible over the edge of the well, submerged in blackness). (A single bent iron lantern sits on the rim of the well, its glass cracked and filled with cobwebs, with a weak flicker of light), <<BREAK>>, (Scattered around the yard are faintly visible carved pumpkins, rotting, their faces grotesquely warped and sagging) (Their eyes seem to be watching the well) (their surfaces soft and bloated with rot). (Above, tangled branches of dead trees bend toward the well, their shapes resembling skeletal hands, reaching as if to grab hold of it). , <<BREAK>> , ((A crow sits atop the bucket, its beak gaping open), (The fog thickens near the base of the well, swirling up toward the rim), [(photo taken with Canon EOS R5 using Canon RF 24-70mm f/2.8L IS USM lens), (ISO 1600), (1/60s), (f/4.0), The color palette is muted grays and blacks, with the faint orange of the pumpkins adding disturbing contrast. Lighting is low, diffused through thick fog, adding to the oppressive, haunting feel of the image.]

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    ((In the abyss of the Underdark's embrace,
Where shadows dance in eternal grace,
Lies a city of darkness, sprawling wide,
Where the sun's warm touch can never abide.
Towering spires of obsidian rise,
Piercing the blackened, starless skies,
Their jagged edges cutting the night,
A testament to the drow's might.
Beneath them, streets wind and twist,
A labyrinth where secrets persist,
Carved from the very stone below,
In patterns only the drow know.
Glowing crystals, a haunting hue,
Cast their eerie light, a spectral view,
Revealing arches and columns grand,
In a city built by drow hand.
But shadows lurk in every nook,
In alleys where whispered secrets took,
And in the depths of cavernous halls,
Where treachery waits for those who fall.
Yet amid the darkness, beauty lies,
In murals that tell of ancient skies,
And in the delicate webs that adorn,
The silent streets where shadows mourn.
For this is a city of darkness and light,
Where the drow dance in the depths of night,
A testament to their craft and guile,
In a world where shadows always smile.)), 
((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding,  epiCRealism ))
    photograph of ((a suburban house which is seen behind it's front yard) which includes ((winding (dark stone) pathway)), ((the yard is bordered by (low, textured walls)), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom)), (a trellis draped in climbing vines creates a canopy, casting varied textures and patterns on the ground below), ((in a secluded corner, (a very small and unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    [Very high angled, downward looking, aerial photograph], ((a subterranean is seen as a surreal labyrinth of interconnected, undulating tunnels and chambers), (walls are intricately sculpted from smooth, reddish-brown rock, with surfaces resembling melting wax or giving the village an organic appearance), (central to the village is a large, circular plaza illuminated by a series of bioluminescent crystals embedded in the ceiling, casting an ethereal, multicolored glow over everything), (surrounding the plaza are homes carved directly into the rock, each with rounded, bulbous shapes and windows of varying, irregular shapes and sizes), (staircases and ramps twist and turn in impossible directions, leading to higher or lower levels within the village), (pillars support cavern ceilings adorned with intricate, swirling patterns), (aqueducts run along the walls, carrying water that cascades into small fountains and pools), (hanging gardens of exotic, twisted plants dangle from the ceilings, their roots exposed and intertwined), (the village's market area features elongated stalls with curved roofs, overflowing with bizarre, otherworldly goods), (Elevated walkways made crisscross the chambers), (pathways that seem to float in mid-air)
[alien cybergoth themed 32k photograph, uhd, ornately detailed, very detailed background]
realisticvision-negative-embedding, epiCNegative
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    surrealist photograph, incredible, vast landscape of surrealism unfolding in a maddening dimension of strange dreams and nightmares, unusual colourful paint splashes, black and red vapor clouds, provocative, symbolic, intricate, detailed, echoimages, ((long exposure motion cold terrifying and ghastly images) overlayed on (sharp short exposure innocent , loving, warm images))
epiCNegative, realisticvision-negative-embedding
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    POV: Strong fisheye-lens photograph (intense fisheye-view photograph), of an icecream shop during The Purge!
, 
:BREAK:
,
((Themes of vintage 1950's icecream shop contrasted by themes of James DeMonaco's dystopian political thriller The Purge))
(( fisheye photograph includes blood splatters, the word "Purge" clearly seen, experimental low upward looking angles, cinematic, perfect composition, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism ))
    [Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), ( below the terraced pyramid buildings are some smaller, domed structures with transparent roofs, revealing glimpses of Yautja predator technology and culture within), (yhe city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) ,
[alien militaristic-hunter themed, 32k photograph, uhd,]
realisticvision-negative-embedding, epiCNegative
    fisheye lens (fisheye view) photograph, surrealist photograph, ((insane wildeyed goddess with a huge crazed smile, wearing white robes, has bloodsoaked hands, is being flirtatious, is holding a (disembodied head),  and standing on venusion clouds)), demonic echo image, echo image, sidelit, masterpiece from a different dimension, film grain, noise offset,  <lora:add-detail-xl:1>  candid photography, Getty Images quality photograph, cute and endearing photograph contrasted by violent mania , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Darkness moves, where arcane glyphs glow,
Layered paths through night unfolds,
Incenses swirl and candles cast their light,
Drawing the seeker far into the sacred rite.
Incantations, gestures, symbolic treasures
A circle forms, the astral veil begins to thin,
Conjured spirits weave in their silent dances,
The soul ascends, through realms unseen, unknown.
Spirits raised to skies, where starsigns play,
An altar below set with relics, stones, and herbs,
The air thick with the scent of ancient spells,
Binding these seekers to the cosmic flow.
Eyes within, the vision sharp and clear appears,
An endless bridge of light extending far beyond,
Where forms dissolve in true unity's embrace,
These spirits merge with the source of all.
In this domain, where boundaries are lost,
The essence pure, untouched by mortal grasp,
Transcending time, the self dissolves in One,
A union forged in fire, light, and ash.
The journey ends, yet never truly done,
For in the merging, all is found, begun,
In darkness and in light, the magick flows,
The seeker and the Divine, now as one.
[ surrealism photograph, double exposures, cinematic photo, realisticvision-negative-embedding, epiCNegative ]
    photograph of a suburban house which is seen ((behind it's front yard) (the house's yard includes ((winding (dark stone) pathway)), ((the house's yard is bordered by (low, textured walls))), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom further from the house)), ((a trellis is between the house and the viewer (the trellis is draped in climbing vines creating a canopy, casting varied textures and patterns on the ground below)), ((in a secluded corner of the house's yard, (a very small and very unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit,  (masterpiece from an evil dimension), (pure depraved evil crawls toward the viewer), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    <lora:md2034:0.5> colorful, paint splatter,
poster_\(medium\), 
 Yellow nuclear submarine,
emblem,  (simple_background:1.3), symmetry,(no_humans:1.3),, (masterpiece:1.3), (best_quality:1.3), (ultra_detailed:1.3), 8k, extremely_clear, realism, (ultrarealistic:1.3),, insane details, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, colorful, beautiful, hdr, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate,
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    photograph of a suburban house which is seen ((behind it's front yard) (the house's yard includes ((winding (dark stone) pathway)), ((the house's yard is bordered by (low, textured walls))), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom further from the house)), ((a trellis is between the house and the viewer (the trellis is draped in climbing vines creating a canopy, casting varied textures and patterns on the ground below)), ((in a secluded corner of the house's yard, (a very small and very unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism
    Darkness moves, where arcane glyphs glow,
Layered paths through night unfolds,
Incenses swirl and candles cast their light,
Drawing the seeker far into the sacred rite.
Incantations, gestures, symbolic treasures
A circle forms, the astral veil begins to thin,
Conjured spirits weave in their silent dances,
The soul ascends, through realms unseen, unknown.
Spirits raised to skies, where starsigns play,
An altar below set with relics, stones, and herbs,
The air thick with the scent of ancient spells,
Binding these seekers to the cosmic flow.
Eyes within, the vision sharp and clear appears,
An endless bridge of light extending far beyond,
Where forms dissolve in true unity's embrace,
These spirits merge with the source of all.
In this domain, where boundaries are lost,
The essence pure, untouched by mortal grasp,
Transcending time, the self dissolves in One,
A union forged in fire, light, and ash.
The journey ends, yet never truly done,
For in the merging, all is found, begun,
In darkness and in light, the magick flows,
The seeker and the Divine, now as one.
[ surrealism photograph, double exposures, cinematic photo, realisticvision-negative-embedding, epiCNegative ]
    ((In the abyss of the Underdark's embrace,
Where shadows dance in eternal grace,
Lies a city of darkness, sprawling wide,
Where the sun's warm touch can never abide.
Towering spires of obsidian rise,
Piercing the blackened, starless skies,
Their jagged edges cutting the night,
A testament to the drow's might.
Beneath them, streets wind and twist,
A labyrinth where secrets persist,
Carved from the very stone below,
In patterns only the drow know.
Glowing crystals, a haunting hue,
Cast their eerie light, a spectral view,
Revealing arches and columns grand,
In a city built by drow hand.
But shadows lurk in every nook,
In alleys where whispered secrets took,
And in the depths of cavernous halls,
Where treachery waits for those who fall.
Yet amid the darkness, beauty lies,
In murals that tell of ancient skies,
And in the delicate webs that adorn,
The silent streets where shadows mourn.
For this is a city of darkness and light,
Where the drow dance in the depths of night,
A testament to their craft and guile,
In a world where shadows always smile.)), 
((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding,  epiCRealism ))
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror,  dynamic, , ((double exposures)),  very detailed background, ominous ethereal background,
 epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit,  (masterpiece from an evil dimension), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), 
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
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