A futuristic, post-apocalyptic cityscape in the style of Heidelberg school, with a mix of dye-transfer and alcohol ink techniques, featuring filigree patterns and holographic elements, reminiscent of Cinema 4D pop art. The scene is illuminated by dynamic, volumetric lighting, with deep colors and a sense of galactic, diffuse glow. Geometric shapes and abstract art forms are woven throughout the composition, with a photorealistic, maximalist approach, evoking the feeling of a 1900s photograph. The atmosphere is charged with an otherworldly energy, as if captured through a telephoto lens, with a mix of watercolor and chalk art textures. Incorporating elements of synthwave and aetherpunk, with poorly drawn, expressionist hands reaching towards the sky, amidst a backdrop of retrofuturistic, liminal landscapes, inspired by the works of James Gurney, J. G. Quintel, Ferdinand Knab, and Josephine Wall, with a dash of Unity 3D and resin cast aesthetics, and a color palette that explores complementary hues, as if rendered in Mandelbulber3D, with ambient occlusion and parallax effects.