ExCivitan
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    In the heart of existence, gears churn, An endless grind, a symphony of flux, Each thread a motor in the vast machine, Spinning dreams and nightmares in shadow. Wheels of fate turn with meticulous grace, Teeth interlocking, patterns profound, Within this dance lies a cruel embrace, Every motion bears the weight of wounds. Levers shift shapes, their purpose mutable, A rod, a beam, a fulcrum’s deceitful guise, Adaptation’s face, forever disputable, In ceaseless churn where functions lie. Nothing static in this mechanical sea, No form eternal, no state preserved, In change’s crucible, we cease to be, Remade and reshaped, our edges curved. Touch balance, court disaster’s face, A whisper too soft, a force too dire, In breach of harmony, machine's pace, Grinding souls in its unyielding fire. Excess and dearth, twin agents of demise, What saves today may ruin tomorrow, Gears’ relentless, impartial eyes, Weave joy and sorrow, thread of borrowed. Paths wind, leading from this toil, Traps of rapture, despair ensnare, Pleasure’s grip, pain’s unyielding coil, Hearts bound by fetters, none can bear. Freedom’s door, hidden, shadowed, A route fraught with thorns and bliss, Through labyrinth where shadows, Hold promise and peril of abyss. Thus we linger, caught in grand design, Machines ourselves on cosmic stage, Seeking escape from clockwork confine, Yet seduced by the dance of the cage

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    More prompts from ExCivitan

    (Arial, downward angled, expansive photograph), ((colossal flying city in the sky above the desert is hovering ahead at a distance), in a (dramatic sky streaked with orange and hues of a setting sun), (the flying city, is supported by massive, churning propellers and jet engines spewing thick black smoke)), ((The flying city's cityscape is a labyrinth of metal and rivets, with towers topped with antennas, pipes, radar dishes, suspended walkways and bridges connect various parts of the city, rust-streaked fuel tanks and oil drums are bolted onto buildings, connected by thick tubes), (buildings vary from utilitarian factories with soot-stained chimneys to simple homes)), <<BREAK>> ((A cluster of zeppelins and airships hovers near the flying city, docked to gantries, below, a massive rotating turbine creates a shimmering heat haze, adding to the city's fortress-like presence), ((The industrial aesthetic, scene is illuminated by the warm glow of incandescent lamps and occasional sparks from welding torches, highlighting the contrast between the mechanical and the signs of human life))
    [A ((foundfootage style film still image) verywideangle photograph (photograph taken from a skewed angle), (foundfootage/ shakeycam style))], ((a geeky woman is seen wearing thick glasses and a shiny metal bowl on her head), (on top of the bowl on her head is a retrofuturist style radio antenna), (a speechbubble is visibly seen coming from the geeky woman's mouth and in the speechbubble the text "Please provide us buzz" is seen printed in legible font , only the words, "Please provide us buzz" are seen in the speechbubble)) <<BREAK>> ((A retrofuturist metal robot with a blue hexagon , is seen holding a large remote control with an antenna), the robot is riding on the shoulders of the geeky woman)), [dystopian coalpunk theme, bleak cinematic photograph, dynamic, uhd 16k photograph , ((double exposures)), very detailed background, ornate details, very detailed background, ]
    (A priest is seen performing last rites at a cemetery during an outdoor funeral), <<Break>> ((High above the priest and mourners (a white (2016 Kia_Soul vehicle) is ascending towards the clouds), (the white (Kia_Soul vehicle) has (angel wings) attached), (there is also a big visible metallicgolden halo hovering directly above the (white Kia_Soul vehicle)) [16k, uhd, diagonal tilted photograph , extremely detailed, perfect adherence to prompt, very detailed background, double exposures (low opacity overlays) , dynamic photograph]
    [photograph of an unsettling, gritty, supernatural Christmas horror, still from (A Christmas Carol parody)] , ((On the left (terrified Donald Trump) (is wearing white pajamas, houserobe, and a long (nightcap)) , ((On the right is the (transparent smokeyblue (ghost of Jacob Marley seen wrapped in chains and floating in the air) (the ghost is holding up three fingers and above it a speechbubble is seen, inside of the speechbubble seen above the ghost the words "...visited by 3 spirits" are easily seen legibly printed in large bold font)), (( Everything is decorated for a classic, early 19th century Christmas, 19th century Christmas decorations are seen)) [(photographed from a very low angle and tilted), (using a strong 195° fisheye lens), (slow shutter speed for motion blur), and (double exposure to create the transparent ghost effect)) ]
    [ (propaganda painting) ] (( a portrait of a (bulbous headed Gray Alien) sitting on top of a stone wall, he is wearing a thick tan coloured 1930's German formal military jacket (the jacket has a wide formal collar, thick silver buttons, and a matching button holding each breastpocket closed, on the left breastpocket is a black ironcross that has a white border ) , he is wearing a (white collared shirt) and (brown tie) underneath the jacket, (very dark brown trousers), he also has a (bright red armband) (near the shoulder around his left arm), in the background are hills and mountains
    [(extremely Highly Detailed photograph), (post-Christmas season horror comedy)] , (the mostly transparent, vaporous ghost of santa claus (wearing a ghastly santa costume) is levitating hovering in the air, high up above a ouija board), ( 2 nervous people are using the ouija board below)
    dynamic action photograph from a high-angle CCTV / security camera looking down and across the check-in office of an old motel ((centrestage: Sponge Bob Squarepants) is standing behind the frontdesk counter in a motel, he is holding) (a plate with a fresh sandwich and a very large knife resting on it) towards (downstage right: where a young lady wearing late 1950's fashion has her back turned to the viewer/ cctv camera) , <<BREAK>> ((in the background is a pegboard with keys for each room hung on it, an old clock, and an old flickering neon sign with the easily read text "Bob's Motel" seen printed legibly in reddy-orange), [((the colourscheme is (very faded sickly looking blues), (extremely faint dirty greens), (and gritty, very faded dirty yellows) contrasted with ( the reddy-orange flickering neon sign with the words "Bob's Motel")), (shot with a Mitchell BNC camera on 35mm film using a prime 75mm fixed focus lens) (hard lighting and deep shadows), (meticulous visual composition, using tight framing, and carefully crafted mise-en-scène to enhance the psychological tension) (1960, Hitchcock style horror using wide shots to establish a sense of isolation or foreboding), (themes of claustrophobia and unpredictability)]
    expansive Photograph overlooking (gritty, battle hardened people are seen in a strange (multi_legged_machine), ((the strange (multi_legged_machine) has an open cockpit on top , for its passengers to be seen), (it is gritty muted matte black, scratched and dented), (it has a kicker below the front grill), (many long and powerful legs with hydraulic joints and shocks), (black smoke waftes into the air from its chimney) (an arsenal of weapons is seen attached to the strange (multi_legged_machine) too)), (they are in a rundown deserted village at dusk), ((the word "RUN!" is clearly seen legibly printed on the body of the machine)) [16k, uhd, diagonal tilted photograph , extremely detailed, perfect adherence to prompt, very detailed background, double exposures (low opacity overlays) , realisticvision-negative-embedding , epiCRealism ]
    (nighttime horror photograph of a narrow foggy alleyway, stretching into darkness) [The camera is positioned very low], ( cobblestone ground is slick with moisture. Faint Halloween decorations strung overhead between buildings. An old bicycle lies abandoned). ((At the far end of the alley, is stands a very tall skinny figure in a blood splattered nurse costume, with white facepaint smeared and streaked) (It holds a (pumpkin shaped candy bucket), in one hand), <<BREAK>> , ((Closer to the viewer, a small handprint is smeared across the damp cobblestones), (very tiny footsteps, muddy and erratic, lead away from the handprint toward the (figure in the bloodsplattered nurse costume), A trail of broken candy pieces glimmers in the dim light. From the alley’s walls, shadows loom bent in impossible angles) (Camera: Canon EOS R5, Lens: Canon RF 24-70mm f/2.8, Settings: ISO 4000, Shutter Speed: 1/40s, Aperture: f/2.8, No Flash, low angle from the alley’s entrance. The fog blurs the edges of the frame, drawing attention to the figure and details in the foreground. The color palette is desaturated, with muted blues and grays, except for the faint orange glow from the distant streetlamp.)
    [ ( Still photograph from a political fundraiser ) , ((On the left, Kamala Harris is seen leaning against the Resolute Desk in the Oval Office)) , (( On the right, Donald Trump is seen also leaning against the Resolute Desk in the Oval Office)) , <<BREAK>> (( A single speech bubble is seen coming from both (Kamala Harris), and (Donald Trump) at the same time, as they speak in unison), (the text "We set aside differences to ask for Buzz" is easily seen printed legibly inside of the speechbubble, the only words printed in legible font inside of the speechbubble are "We set aside differences to ask for Buzz" , the script "We set aside differences to ask for Buzz" is very easily seen in the speechbubble.))
    [ nighttime horror photograph ] (A stone well stands in the middle of an overgrown, neglected yard, its rim covered in thick black moss clinging to the stone) (A worn old wooden bucket hangs from a frayed rope, its bottom barely visible over the edge of the well, submerged in blackness). (A single bent iron lantern sits on the rim of the well, its glass cracked and filled with cobwebs, with a weak flicker of light), <<BREAK>>, (Scattered around the yard are faintly visible carved pumpkins, rotting, their faces grotesquely warped and sagging) (Their eyes seem to be watching the well) (their surfaces soft and bloated with rot). (Above, tangled branches of dead trees bend toward the well, their shapes resembling skeletal hands, reaching as if to grab hold of it). , <<BREAK>> , ((A crow sits atop the bucket, its beak gaping open), (The fog thickens near the base of the well, swirling up toward the rim), [(photo taken with Canon EOS R5 using Canon RF 24-70mm f/2.8L IS USM lens), (ISO 1600), (1/60s), (f/4.0), The color palette is muted grays and blacks, with the faint orange of the pumpkins adding disturbing contrast. Lighting is low, diffused through thick fog, adding to the oppressive, haunting feel of the image.]
    16k , UHD photograph, (( John Lennon with his round glasses is looking up at the viewer), (a 1960's Beatles themed speechbubble is seen, the text visibly seen inside of the speechbubble is the words "All I Need is Buzz" printed in legible font ), extremely detailed, ornate detail, intricate detail, from_above, Getty Images quality, ultrahigh definition photograph, cinematic lighting, perfect quality, masterpiece, emblem, symmetry, perfect realism, insane details, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, colorful, beautiful, best, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate,
    [(extremely Highly Detailed photograph), (outdoor photograph)] ((from behind and over the shoulder of a girl in tight black latex clothing), (A bear is seen wearing small snap-on sunglasses) (and a long black leather trenchcoat), (the bear is facing the viewer) (the bear is holding both of it's paws towards the viewer palm up), (in the palm of the left paw is a red pill), (in the palm of the right paw is a blue pill)), (( the back of the girl in tight black latex clothing is seen very close to the viewer) (she is looking towards the bear)) [(photograph set in a bleak dystopian forest), ( a worn red leather classic arm chair is also seen in the background)]
    ((caricature of a regal looking old queen, with an elegant dress, and (the old queen's hair is cut very extremely short in a short brushcut/ buzz cut hairstyle) , with a (shocked expression on her face) is sitting in a (barber's chair) in a (barbershop)), ((the caricature of the embarrassed old barber with glasses is standing behind the (barber's chair) , holding (hair clippers)) ((A speechbubble is seen above the old queens head, inside of the speech bubble the text "No! I wanted BUZZ!" is seen legibly printed in easily seen font))
    [ (melancholy colour palette) , (candid outdoor photograph of content creation) ] ((An influencer is (sitting on a sidewalk) (in the shade under a large umbrella) , (under the umbrella it looks gloomy, bleak, amd stormy), (the influencer is sitting with her knees pulled up to her chest), (the influencer appears to be sad and crying with mascara running) (and she is looking upwards to the left, at a (DSLR camera mounted on a tall tripod)), ((another person is pouring a canister of water on the large umbrella)), <<BREAK>>, ((in the background is a normal busy, city sidewalk and street on a warm sunny day), (the sky is blue and sun is shining), (people with (confused facial expressions) are looking towards the sad looking influencer under the big umbrella that water is being poured on))
    [ Movie Poster for a 1940's colorized Horror film titled "A Winter Without Buzz" ] ((The text "A Winter Without Buzz" is seen printed at the top of the poster), ((the plot is), ((dark shadowpeople begin to emerge from the thick fog at the north pole), (Santa looks terrified), (light from rudolph the red nosed reindeer's nose is dimming), (because their isn't enough buzz to power it.)) [ "A Winter Without Buzz" (is filmed using 35mm film and is colorized with Technicolor) , the poster image makes use of unsettling high and tilted angles)], ((The words , "A" , "Winter" , "Without" are seen printed in the same colour using a bold font), (the word "Buzz" is printed in yellow glowing horror font with blood splattered on it))
    [ Horror film poster (using 35mm kodak film photograph), (ultrawide 191° angle photograph), (twisted fisheye lens distortion photograph)], ((People are looking at their individual smart phones), (ghastly green holographic beams are seen being projected from each smartphone's screen into its user's forhead), ( double expousure on each (smartphone user's) head shows their brain, their brain is seen like an xray image through their head)), <<BREAK>> , ((the background is a dreary Halloween night in 1980 suburbia), (candy wrappers and bags litter the ground)) <<BREAK>> ((The title on the poster is the text "Night of the Civitai" printed in legible horror font, the only words seen are "Night of the Civitai" easily well seen and printed legibly in 1980's horror font.)) [ (halloween night), ( 80horror style)],
    full-length /full-body dynamic photograph of a ((group of retrofuturistic humanoid robots are wearing tophats but no other clothing, the robots are drinking oil cocktails and chatting with each other in front of Stonehenge)) ((one human stands in the centre of the robot gathering), (the human has a contorted, nervous/ embarrassed / perplexed half smile, blushing cheeks, one raised eyebrow, and a bead of sweat on his forhead), (the human is wearing a long white robe, an animal pelt pouch, and hat with small antlers) , (the human is holding a sprig of mistletoe and a golden sickle)), <<BREAK>> , ((Visibly seen near Stonehenge and above both the robots and the one human, is a banner (the text on the banner is well defined and easily seen the text "Droid Meeting" is printed in large bold very legible font on the front of the banner where it can be seen by the viewer)) <<BREAK>> , Perfect photograph, (strong fisheye-lens photograph)/(intense fisheye-view photograph), (creepy horror photograph), (diagonally tilted angle), (themes of social awkwardness and embarrassment), (intricately detailed), (very detailed background)
    [(extremely Highly Detailed poster), (dynamic action) ("Buzz and be blessed! Luke 6:38" prosperity poster)], ((Upstage center: A caricature of (a crazed preacher with (short left parted white hair that is waved up on his right side) (round spectacles) (clean shaven square jaw), (grey tweed suit jacket) and (bow tie)) (is standing in front of a church congregation) (holding an open bible in one hand), (the entire text "Buzz and be blessed! Luke 6:38" is seen printed in large easily read legible font)), <<BREAK>>, ((downstage left: the congregation is made up of women wearing (red robes) and (large widebrimmed white bonnets)) (( downstage right: the congregation is made up of men wearing red caps)))
    16k , UHD photograph, (( John Lennon with his round glasses is looking up at the viewer), (a 1960's Beatles themed speechbubble is seen, the text visibly seen inside of the speechbubble is the words "All I Need is Buzz" printed in legible font ), ((the other Beatles in the background),extremely detailed, ornate detail, intricate detail, from_above, Getty Images quality, ultrahigh definition photograph, cinematic lighting, perfect quality, masterpiece, emblem, symmetry, perfect realism, insane details, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, colorful, beautiful, best, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate,
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