ExCivitan
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    fisheye lens (fisheye view) photograph, ((The Pincer is a tough, positional chess player who will squeeze you over the board until you resign, it's ELO is reported as 2.50777%, it looks similar to a (whipScorpion) mechanical alien,)) echo image, sidelit, masterpiece from a different dimension, film grain, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism

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    watermark, low-quality, worst quality, signature, monochrome, 3d, censored, furry, animal, lores, worst quality, mosaic, painting, drawing, cartoon, airbrush, cgi look, anime, cartoon, obscured face, distorted face, blurred face

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    In the twilight's shroud, where shadows dance, Lies a garden of eerie and deadly plants . Beneath the moon's pale, ghostly light, Where nightmares bloom in the dead of night. Trees twist and coil, their branches writhe, Like vipers in the deadliest hive. Their leaves, a tapestry of despair, Whisper secrets of the dark's cruel snare. Flowers of crimson, with petals like knives, Blossom where death and darkness thrives. Their scent, of poison mist, that fills the air, Luring lost souls, to their deadly care. Beneath the earth, roots twist and claw, Grasping at spirits with a silent draw. Among the graves, where whispers hiss, Echoes the sorrow of gloom's soft kiss. In the center, a fountain flows, With waters black as midnight's woes. Its streams, a mirror of the abyss, Reflecting the souls it longs to twist. In this garden, where nightmares dwell, A symphony of darkness, a haunting spell. For those who dare to roam its maze, Shall find their souls trapped in its gaze. <<BREAK>> Perfect surrealist photograph , psychologically disturbing, ((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, very detailed background, Experimental lighting, gothic art, realisticvision-negative-embedding, epiCRealism ))
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body, large view, ((Dorothy Gale) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons)) [horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    , 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body, large view, ((Dorothy Gale) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons)) [horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    Beautifully horrifying, joyfully melancholic, excitedly bleak, abject ideas in an abstract world, mist, plant nightmares in the souls of dreamers , evil holy emblems, ((surrealist slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism ))
    In the stillness of the land, where whispers fade to mist, A somber shadow lingers, where the lost ones gently kissed. Their names upon the wind, like petals softly tossed, In memory they linger, their absence never lost. Through the rivers' gentle flow, and the mountains' silent cry, Their spirits dance in moonlight, beneath the endless sky. Though taken from this earth, their presence still remains, In every leaf that rustles, in every gentle refrain. We honor their existence, their stories left unsaid, With solemn hearts we gather, to remember those who've fled. On this awareness day, we must vow to never rest, Until every missing sister finds her soul justice and truth caressed. , mournful after image, north american indigenous women themes, double exposure, memories in the back of her mind, memories echo image, echo image, refection, sidelit, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph, sad but warm endearing photograph contrasted by melancholy terror and regret , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>> ((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm) [ realisticvision-negative-embedding , 8k, uhd , photograph, Kodak Motion Picture Film Style ]
    (voluptuous woman version of Ash Ketchum holding pok ball toward the viewer!)) Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    [Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), (some smaller, domed structures and an alien spaceport show us glimpses of Yautja predator technology and culture within), (the city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) , [alien militaristic-hunter themed, 32k photograph, uhd,] realisticvision-negative-embedding, epiCNegative
    POV: Strong fisheye-lens photograph (intense fisheye-view photograph), of an icecream shop during The Purge! , :BREAK: , ((Themes of vintage 1950's icecream shop contrasted by themes of James DeMonaco's dystopian political thriller The Purge)) (( fisheye photograph includes blood splatters, the word "Purge" clearly seen, experimental low upward looking angles, cinematic, perfect composition, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism ))
    ((1Woman Ichigo Kurosaki with bankai!)) Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    fisheye lens (fisheye view) photograph, surrealist photograph, ((insane wildeyed goddess with a huge crazed smile, wearing white robes, has bloodsoaked hands, is being flirtatious, is holding a (disembodied head), and standing on venusion clouds)), demonic echo image, echo image, sidelit, masterpiece from a different dimension, film grain, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph, cute and endearing photograph contrasted by violent mania , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
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