disdaboomboss
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    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, "beyond the aquila rift", horizontal skyscrapers, megastructure, death riding on a pale horse, the shimmer, neo-visigoths, data rain under tarnished skies, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view, polished, linear light, hideaki anno corpo world, laserhawk, the broodmother, the 2018 film 'Prospect',

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    ImgFixerPre0.3, (((Eiffel tower))), bad artist, bad eyes, blurry, low resolution, bad, ugly, bad composition, watermark, signature, worst quality, low quality, simple background, inaccurate limb, extra fingers, fewer fingers, missing fingers, extra arms, extra legs, inaccurate eyes, bad anatomy, error, extra digit, fewer digits, cropped, jpeg artifacts, trademark, artist's name, username, signature, blurry foreground, blurry background, cars

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    a cabaret singer's smoky dressing room within a crystal cavern; the cavern wall is a granite blend of obsidian, quartz, and jade. (The room is illuminated by a pair frosted-jade or soapstone sconces, inset into the wall on either side of a vanity mirror). Several beautiful and varied ao dai dresses hang from a clothing rack next to an ornate armoire. the neo-noir ambience combines a sense of intrigue with opulence.
    "We sailed through the fog for an incalculable amount of time, for day and night were practically indistinguishable. When visibility began to finally improve, we found that we had emerged into a fjord-like network of waterways, that flowed between the ruins of a once great civilization. The ruins were not so far decayed as to diminish the scale of their grandeur, entire cities with bas relief detailing, formed by tunneling into mountainsides of the fjords, showcasing advancements in masonry that we could barely fathom. Though seemingly deserted, the place gave off the eerie feeling that we were constantly being watched, and once or twice I swear I saw a flicker of movement in my peripheral vision, as we sailed past the recessed archways that marked the ruins’ many moss-covered entrances.\" a scene inspired by the ruins of ancient valyria from game of thrones, as well as the landscapes present in the film kong skull island. additionally inspired by the emerald dream dimension of the chaos god yogg saron.
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,
    ((extreme low angle shot)), ((looking through a crack in the floorboards of a wooden peasant's house)), japan, 1700s, fictional horror, a man wearing an Onryo mask stands in the doorway (backlit), as fires burn out of control out of view somewhere behind him, you are hiding in the cellar beneath the floorboards trying to hold your breath, hoping he doesn't inspect your house further,
    excitations in the gap between the third and fourth spatial dimensions occurring along the 'w' axis, preceding the unprecedented automation of thought, a necessary bifurcation of events, after reneging on universal promises, (koyaanisqatsi angle), planescape torment, a soul stained by sin, diethyl ether administered as treatment,
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,
    resonance, dusk, dream, hiking through the carpathian mountains, as you crest a steep hill, you look to your left and see a small log cabin not even five paces from the trail, perhaps a place to stop to rest after a long journey, sitting on the front porch of the cabin, (there's a woman in her late twenties, pretty face, a smattering of freckles, curly brown hair, she gives you a warm welcome, and a wolfish smile that reveals her remarkably sharp incisors), a glimpse of her thigh through the slit in her homemade dress foreshadowing a sexual encounter later on in the evening, you are utterly entranced by this seemingly chance encounter, dvr-hgh-fnt, dark, chiaroscuro, low-key, 70s erotic horror,
    "We sailed through the fog for an incalculable amount of time, for day and night were practically indistinguishable. When visibility began to finally improve, we found that we had emerged into a fjord-like network of waterways, that flowed between the ruins of a once great civilization. The ruins were not so far decayed as to diminish the scale of their grandeur, entire cities with bas relief detailing, formed by tunneling into mountainsides of the fjords, showcasing advancements in masonry that we could barely fathom. Though seemingly deserted, the place gave off the eerie feeling that we were constantly being watched, and once or twice I swear I saw a flicker of movement in my peripheral vision, as we sailed past the recessed archways that marked the ruins’ many moss-covered entrances.\" a scene inspired by the ruins of ancient valyria from game of thrones, as well as the landscapes present in the film kong skull island. additionally inspired by the emerald dream dimension of the chaos god yogg saron.
    excitations in the gap between the third and fourth spatial dimensions occurring along the 'w' axis, preceding the unprecedented automation of thought, a necessary bifurcation of events, after reneging on universal promises, (koyaanisqatsi angle), planescape torment, a soul stained by sin, diethyl ether administered as treatment,
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', horizontal skyscrapers, megastructure, death riding on a pale horse, the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view, polished, linear light, hideaki anno corpo world,
    Rain-soaked streets of New New York City, a dystopian metropolis in perpetual twilight. Futuristic skyscrapers, once gleaming and optimistic, now wear the patina of neglect and corruption. The neon-lit signs of Mom's Friendly Robots read like a beacon of desperation, casting an eerie glow on the rain-kissed pavement. Amidst the city's decaying grandeur, Professor Farnsworth's hoverboard lies abandoned, its once-shiny surface now tarnished by the grime of urban despair.
    "axiomatic deconstruction of cascading platonic ideals, surmise to say our time is running out, reports of prototheistic factions gaining traction in the galactic colonies, god what a nightmare, nigh on ungovernable, humanity never evolved to exist in such bloated civilizations; we were meant to live in villages, not in settlements spread across the galaxy, with these hyperspace conflicts, ultra faction traders, faster-than-light travel, geo-political agendas, rogue artificial superintelligences running disinformation campaigns..." ((cinematic scifi concept-art, highly complex, interwoven visual storytelling)),
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, Gilgamesh returneth, Prestuplenie i nakazanie, breathtaking scope and scale, centuries into the future, channelling the spirit of gustav eiffel, aerial view,
    "axiomatic deconstruction of cascading platonic ideals, surmise to say our time is running out, reports of prototheistic factions gaining traction in the galactic colonies, god what a nightmare, nigh on ungovernable, humanity never evolved to exist in such bloated civilizations; we were meant to live in villages, not in settlements spread across the galaxy, with these hyperspace conflicts, ultra faction traders, faster-than-light travel, geo-political agendas, rogue artificial superintelligences running disinformation campaigns..." ((cinematic scifi concept-art, highly complex, interwoven visual storytelling)),
    an entity of immeasurable will, disguised to blend into the crowd, just another one of the human servants, yet concealing a level of power that could defeat the oppressors, a one-man army, a usurper, able to withstand the wrath of gods, essentially unkillable . "at five o'clock, they'll take me to the gallows pole, the sands of time, for me, are running low..."
    exceptionally detailed concept-art illustration, absurdres, 8k, scifi fantasy, future, busy fictional spaceport, located on a fantastic floating city, cloudscape, many different models of lightweight spacecrafts known as "cutters", are constantly arriving and departing, daytime, outdoors, cloudscape, implied scale, implied height, high resolution textures, pastel hues, [orange, pearl white, pink, ochre, onyx, cobalt], neon panel lighting strips, detailed background,
    cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', horizontal skyscrapers, megastructure, death riding on a pale horse, the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view, polished, linear light,
    score_9, score_8, score_7_up, (ultra-detailed, hyperrealistic, scifi, cinematic concept art, high resolution), a central gathering area, inside, sovietpunk space settlement, impressive verticality, imagination-capturing details, hints of danger and mystery,
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